My Theatre Mates are your Theatre Mates. But who are we exactly? Here’s a little more about everyone who has contributed to the site so far. If you click on each Mate’s full name title in their author’s box, you can see all of his or her contributions to date.

Would you like to become a Syndicate or Guest Mate and have your articles appear alongside ours? Click here to find out more about how to become a Mate.

Founder Mates

Terri Paddock
Terri Paddock founded and the WhatsOnStage Awards, running the company and its events from 1996 to 2013. She is also the author of two novels, Come Clean and Beware the Dwarfs, and has previously written for the Evening Standard, Independent and the Times. She now acts as a digital, content strategy and event consultant for theatres, producers and other clients, blogs at and tweets @TerriPaddock.


Mark Shenton
Mark Shenton is one of the UK’s leading theatre critics and correspondents, whose regular credits include and The Stage, where he is associate editor and chief critic. He chairs the drama section of the Critics’ Circle, and hosts the annual Critics’ Circle Theatre Awards, held at the Prince of Wales Theatre. He blogs independently at and tweets @ShentonStage.


Syndicate Mates


As Yet Unnamed London Theatre Podcast

Founded in January 2011 and produced by T R P Watson, the (still) As Yet Unnamed London Theatre Podcast is recorded every Sunday and released the following week. Regular AYULTP talking heads include My Theatre Mate Johnny Fox, as well as Gareth James, Rev Stan and Phil from West End Whingers.

Watson explains: “The contributors to the podcast are mainly bloggers because I prefer things to be mostly ‘from the audience perspective’. I am happy to do (and have done a few) interviews and would do more but I don’t want to be too much of an insider.” For the full AYULTP archive, visit


Vicky Anderson on sabtwitter
Vicky Anderson
A former newspaper arts editor at Liverpool Daily Post, Vicky Anderson has been blogging about theatre in Liverpool since 2010. Her site, MADE UP, “attempts to cram in as wide a variety of news, reviews and interviews on theatre happenings in Liverpool as possible”.


Jonathan Baz on twitter
Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends well beyond the capital. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan’s broad interest in theatre has taken him to Alabama to write about the history behind The Scottsboro Boys, as well as driving the locomotive at The Railway Children. His recent interviews have included John Kander, Stephen Mear and Cynthia Erivo. Away from the theatre, Jonathan is a practising Chartered Accountant with numerous clients in the entertainment industries. Jonathan blogs at


Susan Elkin on twitter
Susan Elkin
Susan Elkin is a former teacher of secondary English. She has also been a very active and eclectic freelance journalist for 25 years. She now focuses on education, performing arts and books, and was education and training editor at The Stage from 2005-2016. Susan is the author of over 40 books, mostly on education and performing arts topics, including So You Want to Work in Theatre (Nick Hern Books). In 2016, she launched her personal website


Thom Dibdin
Thom Dibdin has been reviewing and writing about theatre in Scotland since the last millennium. He is currently Scotland Correspondent for The Stage newspaper. In 2010, he founded The city’s only dedicated theatre website, it covers all Edinburgh theatre year-round – and all theatre made in Edinburgh during EdFringe. Thom is passionate about quality in theatre criticism and is a member of the Critics’ Awards for Theatre in Scotland. In addition to his personal account, he tweets @AllEdinTheatre.


Johnny Fox
‘Johnny Fox’ studied Theatre at Lancaster University and Journalism at City before realising there was no money in either profession and concentrating instead on interior design for investment banks in Singapore, New York and Moscow. Back home, he now writes mostly about theatre, mostly in London, for arts and events websites. He blogs independently at


Chris Grady
Chris Grady is a creative and business life coach who has worked in arts and project management for more than 30 years, running marketing departments and creating festivals and theatres in Bristol, Plymouth, Edinburgh, Buxton, Keswick, London and Bury St Edmonds. He has also run the Vivian Ellis Prize for new musicals, and written Your Life in Theatre, a careers guide for all stages of your career. He is preparing an MA for Theatre Producers with Mountview Academy for Theatre Arts. Chris blogs about arts management at


Caroline Hanks-Farmer
Having been a performer for many years, Caroline knows first hand how much the support of a good audience is valued, appreciated and needed. She is passionate about all performing art, but has a particular interest in new writing and Off-West End productions. Having reviewed for other publications, she set up her website, Carn’s Theatre Passion, to provide more exposure for these areas, as well as news, views, interviews and information on all stage-related matters.


Katharine Kavanagh

Katharine is a circus writer based in the Midlands, a handy travel hub for getting out and about to new and smaller-scale work. From a background as a performer, theatre-maker and circus volunteer, Katharine took part in the EU-funded ‘Unpack the Arts’ circus residency, set up The Circus Diaries website, and now dedicates herself to sharing the intricacies of circus art with the world.

She says: “Circus is an area of performing arts where few people have the vocabulary and understanding to write balanced critical appraisal. This tends to result in wishy-washy ‘reviews’ that all sound the same and say very little about the relative quality of the show.

“As the circus arts grow in popularity and engagement across the UK, it’s important for critical voices to reflect this to increasingly discerning audiences. That’s where I come in.”


Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog,


Helen McWilliams
Helen McWilliams is a Midlands-based reviewer, but is happy travelling anywhere and everywhere to pursue her love of the theatre. Since 2013, she has been combining her passions for writing and theatre in her Break A Leg Review site. She also enjoys interviewing actors, writers and other professionals from the business. Helen tweets at @breakalegreview.


Matt Merritt
Matt has been a theatre fan since childhood, regularly visiting theatres in his native Portsmouth and surrounding areas. He has been reviewing for some time, initially for local press outlets before starting his own site, Sitting in the Cheap Seats, in 2013. These days he can generally be found in the front row of the balcony in a theatre in the Southwest (or on trips to London), quietly thankful he is short enough not to notice the lack of legroom!


Daniel Perks on sabtwitter
Daniel Perks
“Corporate by day, culture by night” is the strapline for Daniel Perks’ website, where he’s been blogging for several years independently, covering “opera, ballet, contemporary dance, interactive theatre, musical, Shakespeare and everything in between’. Daniel contributes on a freelance basis to several publications including The Reviews Hub, Exeunt, A Younger Theatre and Theatre & Performance, and he is an assessor for the Off-West Awards (‘The Offies’). Daniel tweets @dperks13.


Libby Purves
Libby Purves was theatre critic for The Times from 2010 to 2013. Determined to continue her theatre commentary after losing that job, she set up her own site in October 2013. She personally reviews all major London openings, usually with on-the-night publication, and also gives voice to a new generation of critics with occasional guest ‘theatrekittens’. In addition to her theatre writing and myriad other credits, Libby has been a presenter on BBC Radio 4’s Midweek for over 30 years. She is also the author of a dozen novels, and numerous non-fiction titles. In 1999, Libby was appointed an OBE for services to journalism.


Edward Seckerson
A prolific broadcaster, writer and journalist as well as a self-confessed ‘musical theatre obsessive’, Edward has interviewed everyone from Bernstein to Liza Minnelli, Paul McCartney to Pavarotti, Julie Andrews to Andrew Lloyd Webber. He wrote and presented the long-running BBC Radio 3 series Stage & Screen. He also regularly produces podcast interviews with notable theatrical artists and makes regular appearances on the BBC Radio 2 Arts Show, BBC Radio 3 and Radio 4, where he presented the 2007 series of the music quiz Counterpoint. He has published books on Gustav Mahler and the conductor Michael Tilson Thomas, is a regular critic for Gramophone Magazine and Opern Welt and a founder member of The Arts Desk. He also blogs independently at and tweets at @seckerson.


Aleks Sierz
Aleks Sierz FRSA is a theatre critic, and author of the seminal study of new 1990s playwrights, In-Yer-Face Theatre. His other books include Rewriting the Nation, The Theatre of Martin Crimp, John Osborne’s Look Back in Anger, The Methuen Drama Guide to Contemporary British Playwrights and Modern British Playwriting. His latest book (co-authored with Lia Ghilardi) is The Time Traveller’s Guide to British Theatre. He also works as a journalist, broadcaster, and lecturer. Aleks blogs independently at and tweets at @alekssierz.


Kristy Stott
Kristy Stott, editor of Upstaged Manchester, is an entertainment journalist, theatre critic and general arts lover. Kristy has been an avid follower of the Manchester theatre scene for as long as she can remember and has written for WhatsOnStage, the Library Theatre Company and Cornerhouse Manchester. Kristy is also news editor and presenter for Trafford Sound community radio.


Andrew Wright
Andrew Wright is an award-winning choreographer, whose myriad credits from the West End, Chichester, Bath, Leicester and elsewhere, include: Mrs Henderson Presents, Guys and Dolls, Singin’ In The Rain, Barnum, 42nd Street, The Critic/The Real Inspector Hound, High Society, Wonderful Town, Betty Blue Eyes, Saturday Night Fever, A Little Night Music, Follies, Oliver!, The Showgirl Within, Almost Like Being In Love, Stepping Out, Once Upon A Time At The Adelphi, By Jeeves, I Sing and Soul Traders. He directed and choreographed Happy Days (National Tour), for which he was nominated for Best Director/Choreographer in the Broadway World Awards 2014. Andrew was educated at Millfield School (Old Millfieldian of the year 2015, Distinguished Old Millfieldian 2012) and trained with the NYMT and Arts Ed. He blogs at and tweets at @AndrewWright5.



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