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NEWS: Comparing Notes brings musical theatre stars to Holborn Pizza Express this autumn

In London theatre, Musicals, News by Edward SeckersonLeave a Comment

Comparing Notes brings stars of the West End and Broadway to Pizza Express Live Holborn. In a lively and informal mix of performance and conversation host Edward Seckerson will be getting up close and personal with these musical theatre luminaries, exploring the stories behind the songs and the personalities behind the artistry.

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Facing the Music: A Conversation with Patricia Routledge

In Features, Musicals, Opinion by Edward SeckersonLeave a Comment

Patricia Routledge trained not only as an actress but also as a singer and had considerable experience and success in musical theatre, both in this country and in the United States of America. Her many awards include a Tony for her Broadway performance in the Styne-Harburg musical Darling of the Day and a Laurence Olivier Award for her performance in Leonard Bernstein’s Candide.






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RAMIN KARIMLOO – London Palladium

In Concerts, London theatre, Musicals, Opinion, Reviews by Edward SeckersonLeave a Comment

Strictly speaking it should have been billed as “Ramin Karimloo and Broadgrass at the London Palladium” – then we might have anticipated the support act and late arrival of the West End and Broadway star known especially for having journeyed through pretty much every principal role in The Phantom of the Opera (and, of course, its sequel Love Never Dies) and Les Miserables.






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THE GO-BETWEEN – West End

In London theatre, Musicals, Opinion, Reviews by Edward SeckersonLeave a Comment

It has taken six years – and Michael Crawford – to bring Richard Taylor and David Wood’s poetic musicalisation of L P Hartley’s The Go-Between to the West End stage; and before the tired old debate begins as to what it is (opera? musical? play with music?), before anyone goes in search of a comforting label, let it be said that what really counts for something here is the storytelling.






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FLOWERS FOR MRS HARRIS – Sheffield

In Musicals, Opera, Opinion, Regional theatre, Reviews by Edward SeckersonLeave a Comment

Taylor writes an altogether different kind of musical in which “songs” rarely arrive fully formed but rather are in the process of evolving – beginnings of songs which are content just being songful and serving as aides-memoires, melodic remanants which in some cases return again and again with all their emotional memory intact. Wagner called them leitmotifs.