What the discussion about Julius Caesar led me to conclude was that in fact, the best thing about this production was that it offered you a choice. A means to experience this semi-immersive production, even if being ‘immersed’ is not your thing.
I was the first one to declare how much I hated the idea of using existing pop music for a ‘new’ musical. I was certain that Mamma Mia! would not last long and I’d pick up some deeply discounted ticket a few months in to take a look at just how bad it was…
The Bridge Theatre is a lovely new toy for theatreland. Firstly, its location is spectacular – the views of London are glorious and next summer it will make for many a delightful pre-theatre drink there.
The idea of music existing “between the notes” seems to be the best description of Heisenberg. A bit like the principle from which it takes its name, that you cannot view a thing and observe it’s momentum at once. The music analogy is more romantic though.
It’s a rare play that gets both into your head and under your skin. Watching The Busy World is Hushed sends both a mind reeling trying to keep up with the ideas and questions posed by the characters, but also cuts to the heart with some frank, honest reflections on grief and love.
It’s all exciting, and has the potential, we already know, to produce exciting work. A company that is starting with a new Simon Stephens play starring Anne-Marie Duff and Kenneth Cranham is obviously off to a pretty strong start.
It seems everyone has a first memory of Thornton Wilder’s Our Town. Mine, in typical style is mildly embarrassing and reveals me to be the uncultured swine I so often am. It was my third year in University, which happened to be my ‘Study Abroad’ year. …
Almost a week ago now, Prior Walter bid the Lyttleton theatre ‘More Life’ one last time. Twenty-four years earlier it had opened next door in the Cottesloe. And some 14 or so years earlier the Angel first crashed into my life. Since then it’s been a labour of love.