Comrade Rockstar is based on the properly fascinating tale of Dean Reed, an American singer known as the Soviet Elvis after he defected to the other side of the Iron Curtain at the height of the Cold War. It is much more musically varied than the moniker ‘rock musical’ might suggest.
It is a delight to review Dan Burton’s debut album Broadway Melodies. As choreographer Stephen Mear has long known, Burton is currently amongst the finest of musical theatre “triple threats” (defined as talented in all three skills of song, dance and acting) and a man who unassumingly provides an assured touch of class to all his roles, whether they be leading or support.
Though often cited as one of the titans of new musical theatre writing, I think it is fair to say that Jason Robert Brown has never managed to nail a proper commercial hit on Broadway. Despite the critical acclaim and cult status that has built up around shows like Parade and The Last Five Years, the Great White Way has resisted his charms.
Noel Sullivan will forever be a member of Hear’say first and foremost to me, the product of one of first of this generation of Saturday night music talent show – Popstars – but since then, a career in musical theatre has beckoned and it is on that, rather than his pop star life, that his debut album concentrates.