Paines Plough, a new writing touring company led by James Grieve and George Perrin — in a co-production with Theatr Clwyd and Orange Tree Theatre — have brought a trio of new work in repertory to this Richmond venue.
Oily Cart is without doubt a master of creating work for very young children. The incorporation of sensory stimulation is engaging and inclusive, and every element of Hush-A-Bye is executed with deliberation and care.
The RSC provide resources, support, workshops and more to help children to start Shakespeare earlier, do it on their feet and see it live as set out in the RSC’s 2006 Manifesto, Stand Up For Shakespeare.
The Unicorn Theatre has announced the appointment of Justin Audibert as the company’s new Artistic Director. Justin will take up the position in summer 2018, taking over from Purni Morell who steps down as Artistic Director this spring after nearly seven years in the role.
The main reason for traveling to Birmingham Rep for The Hundred and One Dalmatians was to see Cruella De Vil played by Gloria Onitiri, an actress who I’ve enjoyed following since the Avenue Q days more than a decade ago.
It’s been a long time since I last saw Robin Hood And The Babes In The Wood performed, and it was a very different incarnation to the Rock ‘N’ Roll version currently being staged at Stafford Gatehouse Theatre. This particular version has become one of my favourite pantomimes of the season!