It is a remarkably humane and thoughtful piece. And Goold and designer Bunny Christie make marvellous dramatic use both of newspaper office mess and hot-metal drama, now almost forgotten as the grey screens flip silently before dazed eyes in quiet offices or the bedrooms and cafes of freelancers.
The inaugural Opera in the City Festival runs from 1 to 12 August 2017 at the Bridewell Theatre. Artistic director Pamela Schermann talks about the aims behind London’s new summer opera festival and what audiences can expect at over the fortnight. What can you tell us about Opera in the City Festival and your mission to find new ways of presenting …
Barry’s relationship with his mother is at best difficult, but as we delve into their family history it soon becomes clear the depth of resentment that Isabella has had for events that have taken place in her life such as the loss of a child and a distant (as it turns out gay) husband and her constant struggle to accept the way her life has turned out.
The premiere of Kevin Elyot’s final play, Twilight Song, in the 50th anniversary year of the decriminalisation of homosexuality, is a fitting tribute to a creator who writes honest and open queer theatre. And as such, it’s a bittersweet tale, effortlessly interweaving stories of past regrets and frustrated presents.