LISTS FOR THE END OF THE WORLD – #EdFringe

In Comedy, Edinburgh Festival, Festivals, Opinion, Plays, Regional theatre, Reviews, Scotland by Laura KresslyLeave a Comment

Things that are good about Lists for the End of the World

1. It’s funny, sad and moving all at once
2. Though the concept is simple, it’s structurally dynamic
3. It makes you laugh and think at the same time
4. Some moments made me reflect on some Hard Things I’m currently going through
5. They use music in a sarcastic, hipster-y way
6. It does what it says on the tin, but is so much more than that
7. It uses crowd sourcing in a fun, accessible way
8. Technology is important to the show’s creation, but it’s not about technology
9. It’s a safe, anonymous way to have your say about Important Stuff
10. It’s interactive – you naturally add your own answer in your head
11. There’s emotional variation and a level of unpredictability
12. It would make a great radio/aural installation
13. It’s powerful, but not aggressive – more like a cuddle than a punch
14. Humanity is displayed through a beautiful medium
15. Verbatim theatre is used in a clever, non-exploitative way

Things that are less good about Lists for the End of the World

1. The performers are vehicles for other people’s material without giving any sense of their own personalities
2. There’s something therapeutic about the show but no space for active dialogue
3. The stage is mostly bare – projections or captioning would add a visual element

Things that Lists for the End of the World made me think about

1. Mortality
2. Success/failure in my own life
3. Regrets
4. Love
5. People I miss and people I definitely don’t
6. My bucket list
7. “Remember to critically engage with this show and not just be pulled in by the content.”
8. How much I miss making theatre

Lists for the End of the World runs through 27 August.

The Play’s the Thing UK is committed to covering fringe and progressive theatre in London and beyond. It is run entirely voluntarily and needs regular support to ensure its survival. For more information and to help The Play’s the Thing UK provide coverage of the theatre that needs reviews the most, visit its patreon.

 

 

Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.