‘Excellent performances’: MONOLOG – Chickenshed Theatre

In London theatre, Opinion, Plays, Reviews by Shanine SalmonLeave a Comment

Chickenshed Theatre, London – until 3 March 2018

Monolog presents several different monologues written by well-known and new writers, showcasing monologues in a variety of formats.

As a fan of Alan Bennett, I loved Belinda McGuirk’s performance as the tragi-comic Lesley in Her Big Chance. Hearing the references to the 1970s soap Crossroads, this was clearly written decades before the revelations of the allegations of sexual harassment and assault against Harvey Weinstein and the ensuing #MeToo campaign.

However, it could have been written today, as it very humorously portrays the exploitation of a young female jobbing actor at the hands of dubious male producers/directors in the acting industry.

McGuirk’s Lesley is so naïve that I suspected that she was also self-delusional and not just extremely trusting. The actress allows us to see that Lesley is so desperate for a shot at a major acting role, that the producers/directors know what buttons to push to manipulate her into nudity, soft porn and sex with them, by persuading her that she needs to strip to get into character.

Lesley wants a big role so much that it seems she talks herself into believing the hype. So it is almost as if she has colluded in her own exploitation. It demonstrates what sleazy directors/producers are prepared to do to get what they want.

McGuirk’s excellently nuanced acting was so well balanced that by the end of the 30 minutes, although I knew how manipulated Lesley was, I also believed there was significant self-delusion at work. The actress portrayed this controversial issue brilliantly and I look forward to watching her in other equally challenging roles as I am confident she will continue to put in excellent performances.

“This is Me,” written by Diane Samuels, is completely different to “Her Big Chance,” it is the author’s unpublished autobiography acted alternately by Belinda McGuirk and Lucy-Mae Beacock. Lucy-Mae Beacock as a young Diane Samuels is a wonderful young talent who I believe will go very far. I liked the format, where pieces of cloth with different handwritten phrases were handed to the audience who were invited to read them out randomly. Beacock as Diane would select a phrase which would trigger an anecdote from her life. So it was like a series of sketches which were amusing, witty and poignant. Beacock was very impressive as she obviously had to remember so many different stories, which she presented to us as if they were memories from her childhood, she was extremely convincing. I look forward to seeing more from her and I hope Diane Samuels publishes her autobiography.

The second half of Monolog has 2 more monologues which are brand new from new writers, so expect the unexpected. The 2 new pieces I saw were “Last Piece of the Sun”about the consequences of a one night stand, which was well acted and quite sad, scattered with a lot of humour. The final work was “I Found Love in a Bin” which was quirky, unsettling and tragic.

Shanine Salmon on Twitter
Shanine Salmon
Shanine Salmon was a latecomer to theatre after being seduced by the National Theatre's £5 entry pass tickets and a slight obsession with Alex Jennings. She is sadly no longer eligible for 16-25 theatre tickets but she continues to abuse under 30 offers. There was a market for bringing awareness that London theatre was affordable in an era of £100+ West End tickets – Shanine’s blog, View from the Cheap Seat, launched in April 2016, focuses on productions and theatres that have tickets available for £20 and under. She is also quite opinionated and has views on diversity, pricing, theatre seats and nudity on stage. Her interests include Rocky Horror, gaming, theatre (of course) and she also has her own Etsy shop. Shanine tweets at @Braintree_.
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Shanine Salmon on Twitter
Shanine Salmon
Shanine Salmon was a latecomer to theatre after being seduced by the National Theatre's £5 entry pass tickets and a slight obsession with Alex Jennings. She is sadly no longer eligible for 16-25 theatre tickets but she continues to abuse under 30 offers. There was a market for bringing awareness that London theatre was affordable in an era of £100+ West End tickets – Shanine’s blog, View from the Cheap Seat, launched in April 2016, focuses on productions and theatres that have tickets available for £20 and under. She is also quite opinionated and has views on diversity, pricing, theatre seats and nudity on stage. Her interests include Rocky Horror, gaming, theatre (of course) and she also has her own Etsy shop. Shanine tweets at @Braintree_.