MOTHER COURAGE & HER CHILDREN – Southwark Playhouse ★★★★

In London theatre, Opinion, Plays, Reviews by Jonathan BazLeave a Comment

Southwark Playhouse, London – until 9 December 2017
Guest reviewer: Heather Deacon

Mother Courage and Her Children is often dubbed one of the best anti-war plays of all time and it isn’t difficult to see why as this ambitious revival at the Southwark Playhouse sees Josie Lawrence storm her way through Tony Kushner’s translation with a vigour.

Hannah Chissick, inspired by the recent war debate, directs with the simplicity and audacity that Bertolt Brecht’s epic theatre demands. The talented singers are utilised well to emphasise the play’s themes (war is never-ending, brings women to ruin, is never profitable, and is generally no good) with Lawrence’s soulful tones bringing a tear to many an eye. Lawrence, of Whose Line Is It Anyway? fame, is an absolute triumph, embracing the audience on her journey from cocky tradeswoman to a woman that Mother Courage would be ashamed of, so downtrodden is her outlook and situation.

Mother Courage’s trade comes with war as she follows armies across Europe with her simple wagon, selling simple goods alongside her even simpler children, all with different fathers and different difficulties. Along the way, new challenges are faced as battles are won and Generals enjoy the little food available. Her children are Eilif, played by the strapping Jake Phillips Head; Swiss Cheese, charmingly portrayed by the wide-eyed Julian Moore-Cook; and Katrin, played by Phoebe Vigor, who blew everyone away with a sensitive portrayal of the metaphorically lost and mute young woman who somehow ends up being the hero of the piece.

Love interests come in the form of David Shelley’s Chaplain who however dusty is as articulate and as good an orator as his character claims to be, even if his preaching often falls on deaf ears. Rival to The Chaplain is The Cook (Ben Fox), scrappy and cheeky, hinting at his hidden past. Their passion for Mother Courage is matched only by the whore Yvette, whose passion for her trade, red high heels and all, is played Laura Checkley relishing the brass and pantomime of her tragic opportunist. The strong cast is supported by the musical ensemble that includes Rosalind Ford who warms the cockles and Shiv Jalota who embraces this quite possibly unique opportunity to exhibit his beat boxing skills in a Brechtian context.

It’s quite the experience to follow Mother Courage and her Children. Not an evening of light entertainment, producer Danielle Tarento has created an incredibly thought provoking and intriguing powerhouse of a show.

Runs until 9th DecemberReviewed by Heather DeaconPhoto credit: Scott Rylander

Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends well beyond the capital. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan’s broad interest in theatre has taken him to Alabama to write about the history behind The Scottsboro Boys, as well as driving the stream train in the stage production of The Railway Children! His recent interviews have included John Kander, Stephen Mear and Cynthia Erivo. Away from the theatre, Jonathan is a practising Chartered Accountant with numerous clients in the entertainment industries. Jonathan blogs at www.jonathanbaz.com.
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Jonathan Baz
Theatre critic Jonathan Baz is London-based but with a coverage that extends well beyond the capital. He enjoys reviewing new writing as much as seeing fresh interpretations of well-known plays and musicals. Jonathan’s broad interest in theatre has taken him to Alabama to write about the history behind The Scottsboro Boys, as well as driving the stream train in the stage production of The Railway Children! His recent interviews have included John Kander, Stephen Mear and Cynthia Erivo. Away from the theatre, Jonathan is a practising Chartered Accountant with numerous clients in the entertainment industries. Jonathan blogs at www.jonathanbaz.com.