HOME, Manchester – until 22 April 2017
Guest reviewer: Megan Hyland
In the wake of the political chaos of Brexit and the overhanging general election, My Country; a work in progress offered an insightful look at the divided opinions of our society. Unfortunately, it failed to deliver. Written by poet laureate Carol Ann Duffy, the play centres around six regions of Great Britain coming together to form a meeting in anticipation of the vote to leave or remain in the European Union. They bring with them the views and opinions of several people from their respective regions, in the hope that their voices will be heard. Taken from real interviews, these voices range from a 13-year-old boy from Wales to an 88-year-old immigrant in the East Midlands.
Penny Layden stars as Britannia, our disheartened and shaken country struggling to cope with the disconnections that divide it. Representing Westminster, Layden effortlessly portrays the politicians that lead us through Brexit and the aftermath of the vote. However, it is Christian Patterson that offers the most engaging performance as Cymru. His remarkable transitions between various characters are the most noteworthy, with each one coming to life individually. The enthusiasm with which he plays each character is admirable, although, the cast as a whole still gives a commendable performance. They work in tandem together to create a seamless and often astonishingly humorous performance. Their incredible effort and ability does not go unnoticed in this production, with their dynamic being a testament to the unity that the play aims to promote.
However, it seemed that perhaps an additional cast member was lacking, as although the play promotes itself as representing the views of the country as a whole, there was a lack of representation on stage for the North West. Particularly as the performance took place in this region, it seemed unusual not to have it mentioned.
Nevertheless, it is the unbiased and relatively diverse presentation of views in the play that make it particularly appealing. It offers the unfiltered, unflinching opinions of the general public on perhaps the most widely discussed topic of the past year. And although some of the words spoken are particularly hard-hitting and heavy in nature, Carol Ann Duffy’s wonderful wit and dry humour lighten the tone perfectly.
Unfortunately, as a whole, My Country fell short of expectations. There was an overhanging sense that it could have gone further with certain aspects, and disappointingly, there was no overall message to be taken away, giving the play as a whole no sense of closure. However, the talent of the cast is undoubtable, as is the incredible writing of Carol Ann Duffy.