NATIVITY! THE MUSICAL – Touring

In London theatre, Musicals, Native, Opinion, Regional theatre, Reviews, Sticky, Ticket recommendations, Touring by Ian FosterLeave a Comment

Touring – reviewed at Birmingham Rep
Eventim Apollo, London – 13-17 December 2017

“A cheeky drink, a naughty wink, we’ll loosen up alright”… Just like a wise man, I came late to Nativity!, only getting round to watching Debbie Isitt‘s film a couple of years ago but oh, how it won me over, feeling like an instant Christmas classic. (The less said about the sequel and the shocking third film, the better).

Get all social media for NATIVITY! & its cast on www.stagefaves.com

So it was little surprise to hear that Isitt was adapting her film for the stage, in the form of Nativity! The Musical. And though I have once again embraced my inner Scrooge and won’t be reviewing much, if any, festive fare this year, I couldn’t resist the chance to sparkle and shine.

And I’m glad I did, even if it is a full month too early to be even thinking of anything Christmassy. Nativity remains a beautifully heart-warming story and if anything, has even more of a feelgood factor about it through all the liveness of this production. The story centres on Coventry primary school St Bernadette’s, trying to escape Ofsted-imposed special measures by beating a rival school to putting on the best Christmas show which, through the most tenuous of links, might just attract Hollywood interest and get turned into a film.

It’s a bit of stuff and nonsense really but done with as much charm as it is here, it’s like sinking into a nice mug of hot chocolate with marshmallows melted on the top. The cheeky chirpiness of the child performers, one of three teams of nine local schoolchildren, is irresistible as they badger their teacher (Daniel Boys‘ rather reserved Mr Maddens) into directing them and respond to the inimitable Mr Poppy’s enthusiasm (Simon Lipkin perfectly cast as the most unlikely of teaching assistants) to find their (sometimes deeply) hidden talents.

Isitt serves as director and this has its strengths and its weaknesses. Little has been done to amend the plot which is fine, but does mean that Maddens’ LA-headed girlfriend Jennifer remains under-utilised and a firmer hand at the tiller might usefully have trimmed 20 minutes or so from the slightly indulgent running time. But she also marshals her resources to the beautifully judged telling of her story. Andrew Wright’s joyous choreography is an explosion of homespun fun and David Woodhead’s imaginative design looks a treat for a touring show.
Musically, Isitt and co-composer Nicky Ager err on the cute and poppy side, which works just fine in this context. It’s the songs from the film that remain the strongest though – the twinkling energy of ‘Sparkle and Shine’, the shimmering loveliness of ‘One Night, One Moment’. It’s all enough to even make you forgive the surely unfair caricature of a harsh theatre reviewer who turns up late on 😉. Great fun.
Running time: 2 hours 40 minutes (with interval)Photos: The Other RichardBooking until 12 November then touring toSOUTHEND CLIFFS 15 November 2017 – 19 November 2017SHEFFIELD LYCEUM THEATRE 22 November 2017 – 26 November 2017MANCHESTER PALACE THEATRE 29 November 2017 – 3 December 2017PLYMOUTH THEATRE ROYAL 6 December 2017 – 10 December 2017EVENTIM APOLLO LONDON 13 December 2017 – 17 December 2017LEEDS GRAND OPERA 20 December 2017 – 6 January 2018.

Ian Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."