STEPPING OUT – West End

In London theatre, Opinion, Plays, Reviews, Ticket recommendations by Caroline Hanks-FarmerLeave a Comment

Vaudeville Theatre, London – until 17 June 2017
★★★★

When you have performed in a particular show yourself, watching and reviewing said show can become personal. Knowing the script inside and having a perception on the characters you’ve played can either bring an additional enjoyment or an overly critical eye. I’ve performed in Stepping Out three times and played two roles. So it was always going to be personal this review. I’m glad to say this version of Stepping Out gave me the former and made for a thoroughly enjoyable evening out.

This production has a superb cast and really feels as an ‘team’ piece. The characterisations are wonderful throughout. The kingpin that keeps the group together is dancing teacher Mavis. Formally a professional dancer she has found herself no longer gaining roles. We feel her struggle to make ends meet by holding dance classes.

Taking on this role at incredibly short notice, as Tamzin Outhwaite injured herself, is Anna-Jane Casey. I have to say that when you read Casey’s bio it comes as no surprise, that if you didn’t know that she had stepped in just days before, you would be none the wiser. Her dancing goes without saying is technically spot on, with her acting perfectly in tune with Mavis’ character.

Sandra Marvin is a joy to watch, as full of fun Rose. Sylvia played by Natalie Casey truly shows what her role is all about. We can see that she really is all talk and money worries and being on the wrong side of the law or should I say the social? – are very real. All the cast are strong though from comedy in Nicola Stephenson’s Dorothy to drama in Lesley Vickerage’s Andy. Not forgetting our excellent ‘token’ man Dominic Rowan as Geoffrey. Who gave us the right amount of shyness and uncomfortable embarrassment with the need to feel part of something.

However, it is both Amanda Holden and Tracy-Ann Oberman who for me totally steal the show as busybody Vera and Maxine respectively. Holden delightfully over the top only to crushingly bring you to realise the truth behind her need to be seen as the perfect wife. The harsh realisation of the fear of being replaced in affection for a younger model, and a return to a former life very evident and kudos goes to Holden for portraying Vera so well. Whilst Oberman also gives us a real depth of character in Maxine. You realise that her ballsy exterior actually is just a facade. It hides her insecurities and as the audience we were made to feel it and could relate.

Stepping Out Photo Credit
©NOBBY CLARK

Definitely worth stepping out for a ticket

This is a fun feel-good show with meaty characterisation and the transformation from a hopeless tap class to the finale is wonderful. I’ll be definitely Stepping Out again to see it, as this show was everything I hoped for in a West End production of a much-loved show.

LISTINGS

VAUDEVILLE THEATRE, LONDON

404 Strand, London WC2R 0NH

Website: www.steppingoutplay.com

Twitter: @steppingout

Facebook: stepping out

Instagram: @steppingoutplay

First performance: Wednesday 1 March

Press Night: Tuesday 14 March, 7pm

Full performance schedule on www.steppingoutplay.com

Box Office: 0330 333 4814

Groups: 0330 333 4817

Access: 0330 333 4815

Ticket prices from £20

 

 

The post Review: Stepping Out Vaudeville Theatre until 17th June appeared first on Carn’s Theatre Passion.

Caroline Hanks-Farmer
Having been a performer for many years, Caroline knows first hand how much the support of a good audience is valued, appreciated and needed. She is passionate about all performing art, but has a particular interest in new writing and Off-West End productions. Having reviewed for other publications, she set up her website, Carn’s Theatre Passion, to provide more exposure for these areas, as well as news, views, interviews and information on all stage-related matters.
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Caroline Hanks-Farmer
Having been a performer for many years, Caroline knows first hand how much the support of a good audience is valued, appreciated and needed. She is passionate about all performing art, but has a particular interest in new writing and Off-West End productions. Having reviewed for other publications, she set up her website, Carn’s Theatre Passion, to provide more exposure for these areas, as well as news, views, interviews and information on all stage-related matters.