It’s been a while since the National Theatre last revived a great song and dance extravaganza and a Sondheim one at that. But with Dominic Cooke’s production of Follies, the NT’s reputation as one of the nation’s finest creators of musical theatre is restored.
After successes with Sunset Boulevard and Sweeney Todd, English National Opera continues its annual headline-grabbing foray into musical theatre with Rodgers & Hammerstein’s Carousel. As with the previous ENO musicals of the past two years, this production is produced by Michael Linnit and Michael Grade (who are also behind the current big-budget production of another Broadway classic, […]
On the face of it, you could see why reviving Promises, Promises would be an appealing prospect – written by Neil Simon from a Billy Wilder film and featuring a score by Burt Bacharach and Hal David. But digging even just a little deeper – a running time of nearly 3 hours and an antiquated set of gender politics made it a tough one to watch, and an even tougher one to excuse in today’s society.
Show Boat at Sheffield’s Crucible Theatre was the best musical that I saw last year and its London transfer is setting a very high bar for 2016. Daniel Evans’ production, mounted on Lez Brotherston’s spectacularly evocative set doesn’t just reprise one of Broadway’s greatest ever musicals, it recreates America’s Southlands and Midwest at the turn of the 20th century, with a spine-tingling intensity.
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