Common, DC Moore’s paganistic tale of one woman’s desire to save the lady she loves from an oncoming darkness, is causing quite the stir – for all the wrong reasons.
Over the past few years where he may or may not have been studying sculpture at Saint Martin’s College, Northampton-born playwright DC Moore has been putting together a résumé of quietly impressive work – exploring aspects of contemporary masculinity in insightful plays such as the excellent Straight and under-rated monologue Honest, or opening up his focus to the war in Afghanistan in The Empire and family dramas in The Swan.
The National Theatre held its annual press conference today, announcing myriad new productions, casting and other initiatives. Here’s the official press release. World premieres, new writers and ground-breaking adaptations announced for 2017 at the National Theatre Ivo van Hove follows his acclaimed Hedda Gabler with the world premiere of Network, with Bryan Cranston making his UK stage debut Anne-Marie Duff …
So the ‘new world order’ is upon us but maybe not quite as many of us might have expected or hoped for. And if the new order of things continues as recently indicated, Ella Hickson’s vision will surely turn out to be bleakly prophetic. Oil is one of the most remarkable pieces of theatre new writing I’ve seen this year, or maybe even for some years.
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