The Toxic Avenger is certainly a stylised, kitsch, cult musical – takis’ set and costumes paint a vivid picture of a luminously dystopian New Jersey (or is it reality?), overrun with toxic waste that the Mayor (Natalie Hope) is dumping about town in order to make a quick buck.
Set in New Jersey, where pollution has over taken the city, we meet Melvin the dweeby teenager (in love with the town’s blind librarian) who is thrown into a vat of toxic waste, becomes the Toxic Avenger and vows to take justice into his own hands.
Based on the cult movie of the 1980’s The Toxic Avenger is a gloriously silly and immensely enjoyable spoof on comic book heroes. It doesn’t take itself seriously, it’s just one delightful evening of entertainment from start to finish.
This over the top, energetic and highly amusing musical has plenty to offer those who like their musicals with a bit of a quirky charm – but at times feels slightly too reliant on the same jokes over and over again.
It’s no small tale they have to tell, as small-town nerd Melvin takes on the corrupt establishment of New Jersey (Who Will Save New Jersey) who are taking bribes from the Manhattan elite so they can continue to dump their waste across the Hudson River.
Have you caught the current West End revival of Waiting for Godot, which has returned Samuel Beckett’s classic to the Arts Theatre, where it had its English-language premiere in 1955? Check out review highlights here – as well as the new show trailer featuring some of them…
I had my own Godotesque moment to start this week’s Waiting for Godot Q&A. The stage was bare. Where were the chairs? Was anyone bringing chairs? How long would we be waiting for chairs? Did such things as chairs exist?