View Post

Weekly Theatre Podcast: Seven Brides, Bakkhai and Three Days in the Country

In Audio, London theatre, Musicals, Native, Opinion, Plays, Reviews by As Yet Unnamed London Theatre PodcastLeave a Comment

Every week, a group of regular, dedicated, independent theatre bloggers gather together for intelligent discussion “from the audience’s perspective” about plays and musicals they’ve recently seen in London. Lively, informed and entertaining. My Theatre Mates is delighted to syndicate the (still) As Yet Unnamed London Theatre Podcast (AYULTP). Shows discussed (with timings) in this week’s podcast: Seven Brides for Seven …

View Post

NEWS: Brian Cox, Ian McDiarmid, Janet Suzman amongst 60-strong cast for Iliad reading

In London theatre, News, Plays, Press Releases by Press ReleasesLeave a Comment

A company of more than 60 artists will bring The Iliad to life in a durational reading on Friday 14 August 2015. The reading will begin at the British Museum and culminate on the Almeida Theatre stage. The marathon reading is the latest event in the theatre’s Almeida Greeks Festival, which has so far seen Robert Icke’s critically acclaimed production …

BAKKHAI – Almeida Theatre

In London theatre, Plays, Reviews by Libby PurvesLeave a Comment

“Cleverness is not wisdom,” warn the Maenad chorus, as king Pentheus determinedly resists the rise of new god Dionysos’ cult in Thebes. Euripides’ Bacchae tells how the young god returns to his mother Semele’s home city to visit her grave, only to wreak terrible vengeance on Thebes’ young and arrogant king Pentheus, who refuses to respect his godhead. The Greek term for divine power, daimon, becomes a touchstone of Anne Carson’s new version for the Almeida: even the spelling of Carson’s title, Bakkhai, proclaims her intention to stay closer to the original texture of Greek. Euripides’ formal structure remains intact, lyrical choral odes alternating with intense scenes, and while Carson’s clear, crisp language (which retains ancient Greek cries of Euoe! Euoe!) mainly inhabits a timeless poetic world, she touches the contemporary from time to time: “Shall we call a cab?” elderly patriarch Cadmos asks the blind seer Teiresias as they set off in Bacchic regalia to join the revels. “It doesn’t sound very Dionysian,” Teiresias ruefully replies.






View Post

Did you know JM Barrie wrote Peter Pan as a metaphor for WWI?

In Features, London theatre, Opinion, Plays, Quotes, Reviews by Terri PaddockLeave a Comment

did you know that JM Barrie wrote Peter Pan as a metaphor for the “war to end all wars”? Of course, you did. It’s obvious: the Lost Boys are the “lost generation” of the conflict, the mothers who leave their windows open for boys who will never come home are the grieving parents of the war dead, the fairy dust is the deadly mustard gas that allowed young soldiers to fly away from the battlefield and to the heaven of Never Land….