Set against the surrounding political unrest in Argentina in the 1940s-50s, many topics, such as sexism, objectification of women, social division and corruption are touched upon, and no doubt hold current relevance for a modern audience.
It won’t be easy, you’ll think it strange – but Evita in 1978 was the last show co-written by Andrew Lloyd Webber and Tim Rice. Despite their later separate successes, it remains an often-overlooked triumph – a near-operatic, through-sung construction, and a fine combination of musicality with a genuinely fascinating, historically accurate story.
Miss Atomic Bomb blasts onto the St James stage with a visually impressive bang. In a show that’s a chain reaction of spectacular dance work (including some delicious tap routines), choreographer Bill Deamer’s fingerprints (or rather footprints) are everywhere. Deamer, who also co-directs, has a consummate understanding of the spectacular and the dancing here is amongst the best in town.
It’s a rare and wonderful thing these days to see a brand new musical – not a revival, not a musical based on a movie, but a shiny, original, fresh-out-the-box show. Not that Miss Atomic Bomb, which opened this week at St James Theatre, is that new; apparently it’s been in development for five years. And was it worth the wait? I think so…
Award winning star of TV and theatre, Catherine Tate (Assassins, The Catherine Tate Show, The Vote, Doctor Who) and Dean John-Wilson (Aladdin, Here Lies Love), who takes lead role in Disney’s Aladdin this summer, will lead the cast in the new musical comedy Miss Atomic Bomb, alongside musical theatre stars Florence Andrews (A Little Night Music, Annie Get Your Gun), Simon Lipkin (The Lorax, Assassins, Rock of Ages, Avenue Q) and Daniel Boys (Any Dream Will Do, Avenue Q, Spamalot) as it explodes into the UK for its World Premiere at the St James Theatre, Victoria, in Spring 2016. The production will be running from 7 March for a strictly limited five week season, with press night on 14 March 2016.
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