As a Twitter geek, one of the things I enjoyed most about David Baddiel‘s latest one-man show My Family: Not the Sitcom, now running at the Playhouse Theatre, is how he so successfully employs social media in his storytelling.
There is an appealing simplicity to the narrative of Camus’s 1947 novel: originally set in Oran, in French Algerian, the book tells the story of a devastating infection that starts off slowly but eventually leads to social and economic crisis as the city gates are closed and its people become prisoners.
For limited run in May, Ugly Duck, a company known primarily for the use of abandoned and disused spaces host ProxC Productions Disconnect, A play asking the audience to vote on the fate of 10 convicted criminals scheduled for jettison from ProxC – a spaceship carrying the remnants of humanity towards a new earth & a new start.
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an electric charge. For Leavers, they represent the evil empire; for Remainers, a world we have lost. In this context, seeing a play by Germany’s most performed playwright feels more than usually significant.
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