This production’s look is over-the-top and blatantly kitsch – the sorority house screams Polly Pocket whilst the looming bookcases of Harvard have a distinct faux-Harry Potter feel.
Green Day’s concept punk album explored something that teenagers around the world have been doing forever – questioning societal constructs and their own purpose in life, and feeling as though they are the only person in to experience this existential crisis. But, with a large focus on the post-2001 world, the 2004 release of American Idiot went even further, by ramping up the rage and frustration and channeling this into a highly charged and chaotic collection of thoughts and guitars.
Let It Be, kicking off its tour in Bromley this week, serves as a remarkable reminder of The Beatles’ story. Tracing the band’s beginnings in The Cavern club in Liverpool, it follows the soon to be named Fab Four on their fast track to greatness, hurtling to London and America and on to packed stadium tours, taking the audience with them on this journey.
Pleasing on the eye and ear, this 1930s Noël Coward script is brought to life for 2016 by director Tom Attenborough and a cast of five. Telling the story of two newly married divorcees who find themselves honeymooning in conjoining suites, the play follows Elyot and Amanda as they differentiate between love and marriage and perception and reality – both with each other and their new partners.
The arrival of Christmas in Bromley is well and truly heralded by the opening of Aladdin at the Churchill Theatre.
Starring Scott Maslen as the villain Abanazar, Jess Robinson as Slave of the Ring and Bobby Crush as Widow Twankey, Aladdin is a glittering and fast-paced extravaganza, providing a memorable retelling of the classic story.
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