Two walls of Marshall amps sit either side of gleaming trusses. A DJ booth manned by a black-clad figure sports a banner for a place called Heorot. Smoke seeps through vents in the floor and a woman in goth metal dress prowls the stage.
In the expansive hall and gift shop of the V&A’s Museum of Childhood, one corner has been set up as a playing space for Popup Opera’s Hansel & Gretel. Director James Hurley doesn’t focus on the darker elements of this fairytale, though. Using surtitles as a vehicle for humour and contemporary references, Popup Opera succeeds at making Englebert Humperdinck’s full-scale opera fun and accessible.