Raw and powerful, the stage adaptation of Khaled Hosseini’s best-selling novel The Kite Runner has lost none of its edge as it returns to the King’s for a week-long run, three years after it was last here.
Wonderfully powerful, Giles Croft’s heartfelt production of Khaled Hosseini’s best selling novel makes a welcome return to the West End. Covering topics such as guilt, betrayal and redemption, The Kite Runner is a show that constantly tugs at the audience’s heartstrings while also providing them with an education about what it meant (and still does) to live in Afghanistan during conflict.
Giles Croft, the artistic director of Nottingham Playhouse, is perhaps best known to Edinburgh audiences as the director of the West End and touring adaptation of The Kite Runner, but here turns performer in a one-man show about his ‘third cousin once removed’, the Scottish endurance swimmer Jabez ‘Jappy’ Wolffe.
Khaled Hosseini’s utterly heartbreaking story is beautifully and painfully brought to life through Matthew Spangler’s adaptation and Giles Croft’s production. Based on the 2003 novel, The Kite Runner is a story of guilt, betrayal and redemption that is as poetic and affectionate as it is brutal and honest.
I knew embarrassingly little of Tony Benn before seeing Andy Barrett’s new play Tony’s Last Tape this past Sunday. (Read my separate blog on the production and interview with its star Philip Bretherton here.) But since Sunday, boy have I been making up for lost time. After leaving the Bridgehouse, I’ve devoured obituaries and other articles […]
After success at Nottingham Playhouse, Tony’s Last Tape has transferred to south London’s new fringe theatre, the Bridgehouse in Penge SE20, for a three-week run in election month. I imagine that Labour Party faithful and others of a particular political persuasion have more pressing matters on their mind just at the moment. But I do […]