Matches are resolutely old-school and capable of being taken for granted, but are just as capable of flaring into life as they always were. Which is pretty much the case with Firebrand’s The Match Box.
There is a bittersweet delicacy to The Lover, the Royal Lyceum Theatre, Edinburgh’s collaboration with Stellar Quines and Scottish Dance Theatre, that cannot quite compensate for a lack of emotional fire.
This year’s King’s pantomime – Cinderella – is a more plot-driven and less reliant on effects than many of recent years. It also lacks some of the more interactive elements of panto, but for sheer fun and laughter it scores very highly indeed.
Shona Reppe’s puppet version of Cinderella at the Traverse Theatre until Christmas Eve is a thing of airy, subtle wonder. The familiar fairy story is told with grace, space and imagination through a combination of elegant puppetry and a kitchen counter with hidden depths.
Despite the name, there is nothing Christmassy about the show, bar a couple of nods at either end. Otherwise, La Clique continue to occupy a niche of their own between the underground and the mainstream.