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Terri’s musicals diary & tweets: Girl from the North Country, Adrian Mole, Spoonful of Sherman

In Features, London theatre, Musicals, Opinion, Quotes, Reviews, Ticket recommendations by Terri PaddockLeave a Comment

I have managed a few memorable evenings over the past fortnight that I can recommend: Bob Dylan-inspired Girl from the North Country at the Old Vic, page-to-stage adaptation The Secret Diary of Adrian Mole and Sherman Brothers-infused cabaret A Spoonful of Sherman.






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Bumblescratch: The challenges of writing sung-through musicals

In Children's theatre, Features, London theatre, Musicals, Native, Opinion, Sticky, Ticket recommendations by Guest BloggersLeave a Comment

Robert J Sherman is a composer, lyricist and book writer who is proud to carry on the enduring legacy of his father and uncle, Robert B and Richard M Sherman, a.k.a The Sherman Brothers, whose childhood musical classics include Chitty Chitty Bang Bang and Mary Poppins (whose stage versions are both currently revived on tour). Robert J Sherman’s own credits include A Spoonful of Sherman and Love Birds. And, with his latest show, BUMBLESCRATCH, he tackles something that even together his father and uncle never did: the sung-through musical.






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NEWS: Full cast announced for Robert J Sherman’s Bumblescratch premiere

In Children's theatre, Concerts, Features, London theatre, Musicals, Native, News, Press Releases, Quotes by Press ReleasesLeave a Comment

Full casting is announced today for next month’s special gala charity concert of Robert J. Sherman’s new musical BUMBLESCRATCH at West End’s Adelphi Theatre. The 13-strong company will include twelve-year-old Ilan Galkofff (Matilda, Oliver!) in the lead child role, joining previously announced adult leads Darren Day, Michael Xavier and Jessica Martin.






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ORESTEIA – West End

In London theatre, Opinion, Plays, Reviews by Caroline Hanks-FarmerLeave a Comment

This is a review I’ve been pondering for a week or more now: where to start was my biggest issue. The epic proportions of this show are hard to comprehend, namely because, when you think about it, this is a trilogy of Greek tragedies that were written over 2000 years ago circa 458 BC. So you may be forgiven for thinking what relevance this theatrical event of the year has in today’s society?