This is a terrific coup for director Tom Littler’s debut as artistic director of the little Jermyn Theatre, now becoming a full producing-house. He commissioned this extraordinary 90-minuter from no less a writer than Howard Brenton.
Park Theatre’s new Spring Summer 2017 season features an array of new writing across both spaces including several world premiere comedies together with the long-awaited European premiere of David Henry Hwang’s Braodway hit Chinglish, an acclaimed musical revival of Jonathan Larson’s tick tick BOOM! and an all-male staging of A Clockwork Orange.
It is not surprising that theatre falls in love with the Restoration: the stage itself springing back to life after Puritan austerities, real actresses, free with their ways, extravagant dress, flying plackets and petticoats, flaunting periwigs, whorehouses, orange-girls rising from the mud and aristocrats declining into it.
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