It feels important to recognise what the NT (and the Old Vic) were trying to achieve, though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women.
In that little wooden candlelit nest of magic and wonder that is the Sam Wanamaker Playhouse, Sam Yates directs a dreamy, fairytale-like Cymbeline. Originally written to be performed across the river at the Blackfriars playhouse (and now playing in that venue’s simulacrum), the play is a tragicomedy with heavy dark elements (jealousy, betrayal, poisoning, the list goes on) none of which appears to do much harm to this reassuring and family-friendly Globe production.
Inspired by the Salem witch hunts of the seventeenth century, Arthur Miller’s The Crucible offered a commentary on McCarthyism and the House Un-American Activities Committee when it first premiered in 1953 on Broadway. Now, playing at Manchester’s Royal Exchange it is remarkable how much these themes still resonate loudly within our society today. Aside from modern-day witch hunts on social media for the latest shamed celebrity or the fear of terrorism and National Security, The Crucible also raises ideas surrounding the cuts to Legal Aid and those perceived as vulnerable, having to represent themselves in court.