David Mamet’s obscenity-strewn script won a Pulitzer Prize in its day and it is easy to see why. Amidst the coarse language, this tale of desperate real estate agents is a testosterone-filled blast from the past.
Obviously, the choice to stage David Mamet’s ode to toxic masculinity Glengarry Glen Ross was made long before the hashtag #MeToo shattered the blinkers of anyone unaware of what men have been getting away with. But it feels indicative of a theatrical culture that has reflected and reinforced a societal imbalance.
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