A satire that managed to predict just how powerful a tool populist anger can be when leveraged effectively, it is transformed into the immersive bustle of a TV studio, that of UBS Evening News where old hack Howard Beale – a transcendent performance by Bryan Cranston – has been handed his notice.
Network is enthralling, interpreting a strange story in a slick, fast-moving production that manages to reveal the media’s rather shallow relationship with truth and makes profound statements about the concept of collective action, all the while being true to its original movie roots.
The girls are funny – and what a joy it is to see a cast made up entirely of young, funny women. The banter and teasing are quick-witted and constant, in a way that feels almost improvised; their language is filthy.
Following a critically-acclaimed opening at the Edinburgh Festival Fringe, subsequent UK tour and sell-out run last summer at the National Theatre, OUR LADIES OF PERPETUAL SUCCOUR opens in the West End in May 2017 at the Duke of York’s Theatre.