A British Pakistani Muslim tries to reconcile his faith and family with his love of men and clubbing. A gay guy and his straight female BFF share a flat, a mutual adoration for classic films and the occasional man.
Actor and writer Milly Thomas is an unstoppable force refusing to shy away from tough material. Her two shows at the fringe are stylistically different from each other, but both are similarly confrontational.
Tighter dialogue in the latter half and the addition of some physical theatre sequences give this update more sophistication, but a few of the original issues are still there. McNeill, who also directs, shows an inclination towards European theatre aesthetics, but he doesn’t quite go far enough.
Paying homage to Shakespeare’s genius but not slavishly binding themselves to it, Golem! sticks up two fingers at Shakespeare purists who, with quivering voices, clutch their pearls and gasp, “But the text!”
Exchange Theatre sets The Misanthrope in a contemporary newsroom full of gossip, affairs, backstabbing and cocaine-fueled all-nighters. Alceste loathes the way his colleagues behave, but fancies the flirtatious Celimene in spite of his prejudices.
Trying to write about Chris Goode’s latest Ponyboy Curtis show vs. is like trying to fit a hurricane into a canning jar. The energy, love and freedom on the Yard’s stage is irrevocably alive and unrestrained, and trying to pin this one-of-a-kind butterfly onto a page kills it a little, or a lot.
Deciding what is best is a tricky thing to do. It’s particularly difficult if you’re trying to do what is best for someone else. How do you know if you’re doing the right thing? Is your aim and end admirable but your means slightly suspect?
James and Daniel are chalk and cheese, and very much in love. The unemployed photographer and Canary Wharf stockbroker are adorably domestic, but both are hiding secrets. When James’ uni mate and ex-girlfriend Olivia vengefully reveals one of them, this irrevocably opens the floodgates to the rest.