Following a sold-out UK premiere at Southwark Playhouse last year, rock musical THE TOXIC AVENGER transfers to the Arts Theatre for a strictly limited ten-week season from 28 September to 3 December 2017.
Based on the cult movie of the 1980’s The Toxic Avenger is a gloriously silly and immensely enjoyable spoof on comic book heroes. It doesn’t take itself seriously, it’s just one delightful evening of entertainment from start to finish with a hugely talented cast, whose energy was at such a high level they gave out fun with a capital F!
To describe the show as tongue in cheek could almost be an obtuse reference to the grotesque prosthetic (good work from Jonathan Moriarty North’s studios) that Anderson sports as Toxie. But this musical’s not to be taken seriously and it’s only to be seen by those who share that guilty pleasure of liking their comedy served bloody, with a large helping of political incorrectness on the side.
In case you didn’t attend and/or missed the viral buzz – incredibly, this industry event was one of the UK’s top trending events on Twitter for nearly 48 hours – Beam was a two-day event, jointly organised by Mercury Musicals Development and Musical Theatre Network on Tuesday 8 and Wednesday 9 May at London’s Park Theatre, under the slogan “shining a light on new British musical theatre”. And it more than delivered on the promise of that slogan.
Churchill Theatre, Bromley
Based on the book by Joe DiPietroDirected by Karen Bruce
Love Me Tender’s Ensemble
Based on the music of Elvis Presley, Love Me Tender is a juke-box musical that tells several love stories at the same time and all set in “a small town no-one’s ever heard of in the middle of nowhere.” We’re introduced to its inhabitants who are resigned to a life of enforced conservatism and where frivolities such as music, dancing and “public necking” are all forbidden – until the arrival of Ben Lewis’ Chad, an Elvis-esque roustabout to shake things up.
At times the story verges on the ridiculous, particularly in the second half when the plot races desperately towards a conclusion that reconciles eight characters’ love stories. Yet it’s not entirely formulaic. There is an element of Shakespeare’s Twelfth Night thrown into the mix, as Natalie (Laura Tebbutt) masquerades as Ed which in turn delivers a surprising and pleasing splash of female empowerment as she exercises a choice that utilises the confidence and freedom she found as Ed.
The cast led by Mica Paris and Shaun Williamson is incredibly strong across the board, with several standout singers including Tebbutt and Mark Anderson ensuring that the production is not overly reliant on the big hitters. Though when Paris takes the stage for her solo, the effect is one of awe; her voice is truly incredible.
The musical arrangements are well done and rock and roll is neatly packaged up for the theatre. The choreography (Karen Bruce and Elliot Nixon) captures the retro vibe while injecting it with a dose of the contemporary.
Morgan Large’s set design is complex and ambitious, but the risks more than pay off. There are also several memorable and comic human set fixtures, such as two ranch-style doors held by two actors, which swing open and shut to mark the entrances and exits of several characters.
Although the main focus of the story is love’s ability to conquer all, the cheesiness is often offset by lots of clever wit and dry humour, delivered with perfect comic timing.
At Bromley this week, before heading out on tour – Love Me Tender makes for a fabulous night in the theatre!
Guest reviewer: Bhakti Gajjar