‘Son of a Preacher Man’- we all know the Dusty Springfield classic, but in an age of social media communication and online dating it’s easy to forget the sentiment and soul of the swinging sixties.
A few thoughts on musical productions I’ve seen recently, with my on-the-night tweet thoughts further below. Promises, Promises Less than a week left to see this rarely seen Broadway musical – the first London production, in fact, since its 1969 West End premiere. I have fond memories of the Oscar-winning 1960 film The Apartment, which […]
Would we be more ‘half in love with easeful Death’ if instead of some cadaver in a cowl with a scythe he came at us as a handsome young man? Can you love someone ‘more than life’? Those are the dilemmas which confront Grazia Lamberti in Thom Southerland’s ravishing production of Death Takes A Holiday.
Churchill Theatre, Bromley
Based on the book by Joe DiPietroDirected by Karen Bruce
Love Me Tender’s Ensemble
Based on the music of Elvis Presley, Love Me Tender is a juke-box musical that tells several love stories at the same time and all set in “a small town no-one’s ever heard of in the middle of nowhere.” We’re introduced to its inhabitants who are resigned to a life of enforced conservatism and where frivolities such as music, dancing and “public necking” are all forbidden – until the arrival of Ben Lewis’ Chad, an Elvis-esque roustabout to shake things up.
At times the story verges on the ridiculous, particularly in the second half when the plot races desperately towards a conclusion that reconciles eight characters’ love stories. Yet it’s not entirely formulaic. There is an element of Shakespeare’s Twelfth Night thrown into the mix, as Natalie (Laura Tebbutt) masquerades as Ed which in turn delivers a surprising and pleasing splash of female empowerment as she exercises a choice that utilises the confidence and freedom she found as Ed.
The cast led by Mica Paris and Shaun Williamson is incredibly strong across the board, with several standout singers including Tebbutt and Mark Anderson ensuring that the production is not overly reliant on the big hitters. Though when Paris takes the stage for her solo, the effect is one of awe; her voice is truly incredible.
The musical arrangements are well done and rock and roll is neatly packaged up for the theatre. The choreography (Karen Bruce and Elliot Nixon) captures the retro vibe while injecting it with a dose of the contemporary.
Morgan Large’s set design is complex and ambitious, but the risks more than pay off. There are also several memorable and comic human set fixtures, such as two ranch-style doors held by two actors, which swing open and shut to mark the entrances and exits of several characters.
Although the main focus of the story is love’s ability to conquer all, the cheesiness is often offset by lots of clever wit and dry humour, delivered with perfect comic timing.
At Bromley this week, before heading out on tour – Love Me Tender makes for a fabulous night in the theatre!
Guest reviewer: Bhakti Gajjar