Paapa Essiedu’s Hamlet is likely to be remembered and talked about in years to come and Simon Godwin’s production is a beautifully accessible performance of a perfect play.
It feels important to recognise what the NT (and the Old Vic) were trying to achieve, though. Queer Theatre looked “at how theatre has charted the LGBT+ experience through a series of rehearsed readings, exhibitions, talks and screenings” and if only one looked at lesbian women, two of the readings were written by women.
Belonging is a public debate with poncy performance chaired by Scottee. Together with a committee of prominent queers he will explore where queer people sit in our society. A boozy, loose-tongued version of Question Time with less middle aged, middle class white men. Come and mouth off on the eve of London Pride.
2016 is nearly over and, despite not getting to see nearly as much theatre as we’d like at Sitting in the Cheap Seats, we’ve seen lots of performances that we will long remember. We couldn’t list all the people who have really impressed us over the past year but the folks below brought their characters to life with performances that made us laugh, cry and kept us thinking long after we left the theatre!
Transferring in to London from Stratford, Antony Sher’s King Lear is a Shakespearean masterclass. With no headline-grabbing casting to this, one of Shakespeare’s greatest works, the production is a company-driven gem, led by the RSC’s seasoned bill-topper who’s more than earned the right to make the role his own.
For many actors Lear is the ultimate role, hence the proliferation of productions that appear every year. In 2016 alone we’ve had Timothy West, Don Warrington and Michael Pennington all pop up in the role and Glenda Jackson is currently giving us a female perspective over at the Old Vic. RSC stalwart Antony Sher’s take on the role has been something we’ve been waiting a few years for… so how does he do?
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