An interesting corrective to those soft-focus romantic images of rural equanimity, in the end, Gundog doesn’t quite come off. But, like grandad’s homily to his family, Longman too has bravely tried to capture something of the eternal and intangible: human attachment to the land.
E V Crowe has been steadily building a reputation as a writer of taut, stringent control since her debut, Kin (2010) followed by the positively garrulous (by her standards) but impressive Hero (2012) with Daniel Mays. Last year, Brenda, a study in mystery and abuse, premiered at the High Tide festival and certainly took no prisoners. Nor does her latest, The Sewing Group.