Written as a response to George W Bush’s Republican Party’s war on terror following the attacks in September 2001 only 12 years after this play’s premiere America seems to be run by a God of Hell now whilst Bush, in hindsight, seems like a competent clown.
Despite being blown away by True West, something about Sam Shepard makes me a little wary. I liked rather than loved Fool For Love and ultimately steered clear of the recent Buried Child and it was with a little trepidation that I allowed myself to make my way into A Lie of the Mind, produced here at the Southwark Playhouse by the folks at Defibrillator Theatre.
Following high-profile productions of Fool for Love and, currently at the West End’s Trafalgar Studios starring Ed Harris, Buried Child, London has another major Sam Shepard revival to look forward to. Defibrillator presents a new production of Shepard’s 1985 play A Lie of the Mind at Southwark Playhouse this spring. Helmed by artistic director James Hillier, it will run from 4 to …
At first knowing that this play was a marathon, two-hour forty-five minutes long, with two short intervals, I was a little daunted. However, never have I known such a production absolutely fly past, as hard-hitting and thought-provoking as it is, there is an argument for discussing what the audience concluded from it.
What does Sam Shepard’s 1978 play Buried Child have to tell us about America after the presidential election of Donald Trump? The West End transfer of the New Group’s production, first seen in New York this past February, was announced in September, when the likelihood of a Trump presidency was still being dismissed by most pundits.
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