A ‘Privates on Parade’ for the war in the Pacific, YANK! is everything you don’t expect from the cheesy title – a cleverly-constructed and original musical about illicit gay love which avoids all the cliches and turns in some outstanding musical and emotionally realistic performances
Appearing as part of the (now ended) London Festival of Cabaret, Sarah-Louise Young’s latest cabaret manifestation is a set entitled La Poule Plombée. Literally translated it means the “leaded hen”, which offers a sardonic contrast to Edith Piaf’s “little sparrow” (and of course sounds appetizingly like flambé too). However, Google a little deeper and one finds that Poule can also refer to a floozy or tart (human rather than pastry). And then remember that Young famously describes herself on Twitter as Cabaret Whore…
Julie Madly Deeply is a technically brilliant performance from Sarah-Louise Young that charts the life of possibly the queen of our national treasures, Julie Andrews. A self-confessed fan and devotee, with a knowledge of both Andrews’ life and repertoire that is arguably unsurpassed, Young’s whirlwind performance has criss-crossed the Atlantic, with this three-day residency at The Crazy Coqs marking the show’s return to the capital.
Before launching into a sassy opening routine of Irving Berlin’s Sisters, Ria Jones and Ceri Dupree tease their audience with a hint of Gypsy’s act one Let Me Entertain You – sung of course originally by that show’s child sisters June and Louise. And in that moment these two gifted performers achieve a rare and elusive vanishing point that sees dramatic irony fade into reality. For Dupree and Jones really are siblings, Dupree by a few years being Jones’ elder brother.
Jermyn Street Theatre, London
Music and lyrics by Jerry Herman
Concepts by Larry Alford, Wayne Cilento and Jerry Herman
Directed by Kate Golledge
(l-r) Sarah-Louise Young, Emma Barton and Ria Jones
Drawn from the shows of Jerry Herman, Jerry’s Girls is a delightful cabaret that in the hands of three talented ladies, offers a whirl of show tunes that thoroughly deserves its hastily arranged return visit to Jermyn Street Emma Barton, Ria Jones and Sarah-Louise Young are magnificent throughout, working their way through a set list that was originally put together for a Broadway revue back in the 1980’s. The compilation is rarely seen over here and credit to producers Katy Lipson and Guy James for having the ingenuity to have mounted it so successfully.
With perhaps the exception of Milk and Honey, the numbers are all familiar to musical theatre lovers and the combination of gloriously powerful belts intermingled with moments of the purest poignancy make for an evening that would be an emotional rollercoaster were it not all so ridiculously enjoyable. All of Herman’s big shows get a look in, with Barton’s Mabel in Wherever He Ain’t channelling an exquisite vocal presence that also suggests just a hint of Albert Square! From the same show, Young and Jones give a gorgeous and perfectly weighted nuance to I Won’t Send Roses.
Herman’s humour sparkles, never wittier than in a song he wrote for the revue, Take It All Off, that wonderfully spoofs burlesque stripping. Again there is fabulous work from Young with Jones being disarmingly (and hilariously) self-deprecating as a stripper whose best years are behind her.
There are nods to Hello Dolly throughout, with the show ending on a powerful tribute to all that La Cage Aux Folles stood for. Grins along with lumps-in-throats all round.
Kate Golledge directs assuredly, with an entertaining eye for detail. Matthew Cole choreographs cleverly too given the venue’s intimacy and that Tap Your Troubles Away evolved into all three women tap-dancing, accompanied by pianist and MD Edward Court and his reed and mandolin playing partner Sophie Byrne on their feet too, (both fabulous musicians to boot) only added to the wondrous sparkle of the occasion. My one regret was not having discovered this gem of a show sooner so I could have had the opportunity to have returned to see it again.
Jerry’s Girls is only playing until May 31st. Barely lasting two hours, it offers West End entertainment at a fraction of a typical West End price. If you love what Broadway, Streisand, Merman & co were/are all about, then you’ll come out grinning. Go see this show!
Runs until 31st May
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