Andrew Scott’s interpretation of the Prince of Denmark is stylish, relevant and completely contemporary.
I’m still not sure what to make of The Dazzle – in the least comfortable fringe theatre newly created in the West End, up 76 steps and with a padlocked lift the first mystery is how Westminster Council licensed it. It starts out as quite a tender portrait of a brother caring for his autistic, introverted concert pianist twin but in Act 2 turns in to Grey Gardens without the jokes, the music or the outré ways to wear a cardigan.
As one critic stated upfront: the press night is a major anti-climax. Nevertheless, while the verdicts don’t make a blind bit of difference to the box office on a production that sold out in record time a year ago, it’s time to take pause and review the reviews for #HamletBarbican, a.k.a. the Benedict Cumberbatch show. […]