Stewart Pringle’s Harry and Denise fortuitously keep meeting over the trestle table in the local village hall rented out for evening classes and meetings. Harry is one of the backbone-of-the-community types. Denise runs the zumba class.
The idea of music existing “between the notes” seems to be the best description of Heisenberg. A bit like the principle from which it takes its name, that you cannot view a thing and observe it’s momentum at once. The music analogy is more romantic though.
Anton Chekhov’s classic play The Seagull is brought to modern life in a new version, adapted by Simon Stephens and directed by Sean Holmes. It’s running at London’s Lyric Hammersmith until 4 November 2017. Here’s what critics have been saying about it so far.
Simon Stephens’ version makes no bones about how an obsession for fame can lead to ruin, hell and damnation or all three. Adelayo Adedayo’s Nina is burning to be a ‘celebrity’, idolising Nicholas Gleaves’ driven novelist, Boris.
German physicist Werner Heisenberg talks of pairs and duality. The one thing against the other. The one in terms of the other. Directed by Marianne Elliott and written by Simon Stephens, this is an evening of girl meet boy, of random encounters, and the unpredictability of (human) nature.
I think I should start off by saying Heisenberg: The Uncertainty Principle that launches a brave new commercial venture in the West End by director Marianne Elliott and producer Chris Harper, had me hooked.