A second, transatlantic viewing proves just how thoroughly the production theatricalises addicts’ experiences in order to generate audience empathy with the struggle to overcome addiction.
In the expansive hall and gift shop of the V&A’s Museum of Childhood, one corner has been set up as a playing space for Popup Opera’s Hansel & Gretel. Director James Hurley doesn’t focus on the darker elements of this fairytale, though. Using surtitles as a vehicle for humour and contemporary references, Popup Opera succeeds at making Englebert Humperdinck’s full-scale opera fun and accessible.
Can violent criminals be rehabilitated, and can their victims ever forgive them? The Listening Room says yes. This verbatim piece tells the stories of three violent crimes, primarily from the perspective of the perpetrators. Some character background sets the scene for climactic moments where they commit their offences, but at least half of each of […]