A decade after the mega-budget follow-up to The Producers flopped on Broadway, Mel Brooks is back with a scaled down Young Frankenstein, this time on London’s West End. The sets may be smaller, but the laughs are just as big.
Today, we’ve already taken a few moments to remind ourselves of both the Top 10 News Stories and the Top 25 Mates’ Blogs on the website over the month of November. Finally, we’re looking backwards and forwards for our final list today. These are our current Top 15 Ticket Recommendations – broken down into five musicals, five plays and five ‘festive treats’ (in other words, the shows to book to have the Merriest of Christmases) – based on both best-sellers over the past month as well as our predictions on the hottest of upcoming openings…
It’s alive…barely. Mel Brooks’ Young Frankenstein staggers into the West End after some more time on the operating table since its 2007 Broadway opening. But for a piece of new musical theatre, it is so desperately old-fashioned that you half expect Russ Abbot and Bella Emberg to pop up and do a turn.
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