The Play’s the Thing UK’s 2017 Top Ten

In Edinburgh Festival, Festivals, London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

After 250 or so shows across London and Edinburgh, these are 2017’s top ten (and a few runners up) from The Play’s the Thing UK’s founding editor. Outstanding storytelling, socio-political relevance innovative form combine to make all of these productions stand out.

10. Wish List, Royal Court
The Bruntwood Prize winner is a scathing political critique with fantastic performances and design. Moving vulnerability in the face of Tory cuts makes for an eye-opening, state of the nation play.

9. Bubble Schmeisis, Battersea Arts Centre
Ritual, family and religion collide in an intergenerational solo performance by Nick Cassenbaum on finding your place in the world.

8. Seanmhair, Edinburgh Festival Fringe
Three women tell the epic love story of Jenny and Tommy, a couple who fell in love on Edinburgh’s cobblestone streets.

7. salt., Edinburgh Festival Fringe
Selina Thompson’s powerful narrative of her cargo ship journey retracing slave routes is a vital confrontation of the West’s success at the cost of black lives.

6. The Long Trick, VAULT Festival
A compelling Cornish story of one family’s poverty and river life is a polished affair with poetry, music and a fantastic script.

5. Translunar Paradise and Odyssey, Edinburgh Festival Fringe
Perhaps it’s cheating to put two shows together, but these classic productions from Theatre Ad Infinitum are a fitting tribute to the company’s decade of groundbreaking physical theatre.

4. Palmyra, Edinburgh Festival Fringe
Bertrand Lesca and Nasi Voutsas latest show was Summerhall’s hottest ticket at the Fringe. The aggressive political show forced the audience to make a difficult decision and face their accountability for the world’s wrongs.

3. The Nassim Plays, Bush Theatre
With Nassim debuting in Edinburgh, the Bush Theatre staged a retrospective of the Iranian writer’s work. The four plays make for an engaging look at a distinct style.

2. The Ferryman, Royal Court
British naturalism is shown at its best in Jed Butterworth’s family drama set in rural N. Ireland during the Troubles.

1. Girl from the North Country, Old Vic
Bob Dylan and Conor McPherson capture the essence of America’s Great Depression in the microcosmic world of a midwestern boarding house. Despair, hope and clinging onto the American Dream is complimented by stunning interpretations of Dylan classics.

Runners Up:
In no particular order, All We Ever Wanted Was Everything, (I Could Go on Singing) Over the Rainbow, I Know You of Old, Killology and Thebes Land didn’t quite make the top 10, but all left powerful impressions in a year of theatregoing. Innovation, emotional engagement and solid dramaturgy are upheld consistently in these shows.

The Play’s the Thing UK is committed to covering fringe and progressive theatre in London and beyond. It is run entirely voluntarily and needs regular support to ensure its survival. For more information and to help The Play’s the Thing UK provide coverage of the theatre that needs reviews the most, visit its patreon.

 

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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.