THE PRINCIPLE OF UNCERTAINTY – Draper Hall

In London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

Draper Hall, London – until 1 April 2017

According to one of the theories of quantum mechanics we’re taught in The Principle of Uncertainty, we can be in multiple places at once. If only that were true. I could review way more shows than I can currently, go on holiday, live in multiple countries and hold down several jobs, all at once. It would be wonderfully productive. Dr Laura Bailey (Abi McLoughlin), the lecturer who explains the theory to us, has a simpler wish – to be able to see her daughter again.

We are Dr Bailey’s freshman class in Draper Hall, a housing estate community space in Elephant & Castle newly doubling as a performance venue run by veteran Italian polymath Stefania Bochicchio. The non-traditional space doesn’t have a lighting rig or backstage, so shows like this that defy theatrical conventions are a natural fit.

Closely resembling a lecture, this production takes time to get to its point but when it does, it breaks hearts. McLoughlin excels as the warm, enthusiastic Laura and utterly convinces as a scientist. Her gentle breakdown is a moving climax to a script as it begins to lose focus, with the attention shifting from equations and concepts to her own, personal story.

Dr Andrea Brunello’s script is science heavy, though it doesn’t matter if it’s understood or not. It takes awhile for the story to emerge from the lesson; though it doesn’t work if it’s earlier, this happens well after the question of what the performance’s point is arises. McLoughlin is fully engaging throughout even if it’s difficult to care about the content of the lecture.

The piece suits the space well, and takes a relaxed and accessible tone – a great choice for a south London council estate venue seeking to bring new audiences to theatre. An excellent performance in this a show that doesn’t feel like a show charms, educates, and provokes reflection on the important things in life.

Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.