‘Educates & enlightens audiences’: 10 – Vault Festival

In Festivals, London theatre, Opinion, Plays, Reviews by Laura KresslyLeave a Comment

The Vaults, London until 17 March 2019

It’s no secret that history has been written by rich white men, and anyone not a rich white man is sidelined in textbooks and scholarship. Though institutions are starting to decolonise and de-centre the narrative that is widely taken as fact, women still aren’t getting the attention they deserve and change is slow. In 10, playwright Lizzie Milton wants to redress the balance. The potted stories of 10 women who have been largely forgotten in the passage of time unfold in choral celebration, serving to both educate and enlighten audiences.

Milton’s script is a pastiche of moments traversing eras. There’s no overarching, narrative through-line; the 10 scenes are thematically linked instead. It’s a simple format, and one that would particularly appeal to young people – I can see this show going down well with GCSE History students, who are taught to interrogate and analyse historical sources. It’s also a great celebration of the range of cultures and beliefs that make up modern Britain.

That said, the format’s predictability and the lack of time given to each individual woman is ultimately unsatisfying. Whilst they are all unquestionably remarkable and the programme includes recommendations of further reading, I want to see more of each of them.

The ensemble of five is hugely engaging in their confidence, moving as a unified chorus within transitions and during each scene, where they also function as supporting characters. As individuals, they range from quiet strength (Beth Eyre as the restrained mathematician Joan Clarke) and outrightly ferocious (Naomi Knox as Irish freedom fighter Constance Markievicz).

The latter closes the show with a rallying cry on behalf of forgotten women, demanding us to keep counting the billions of women around the world who have been – and are being – forgotten. We have a lot of work to do.

Laura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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