‘A collage of anecdotes and feelings’: 147Hz CAN’T PASS – Edinburgh Fringe

In Edinburgh Festival, Opinion, Plays, Regional theatre, Reviews, Scotland by Laura KresslyLeave a Comment

Greenside (Venue 236), Edinburgh
Until 25 August 2018

Ink Asher Hemp (they/them) is trans nonbinary. They are taking up space and they are not apologising in this one-person show with a bit of spoken word that overviews trans and queer issues.

They introduce themselves as Ash, a person with a gentle, slightly apologetic demeanour that is still grounded in confidence. There’s no particular story that emerges, but a set of experiences does. Though cishet people should do the work to educate themselves about trans issues, Ash is here to help anyway. We hear about their childhood and coming out, and a sprinkling of facts and statistics about life as a trans person. There’s also a nod to the divisive toilet issue, and the risks that come with choosing a binary toilet as a non-binary person. It’s a necessary perspective often ignored by the media.

Video sequences help break up their monologue that needs further dramaturgical shaping and support. The script is a collage of anecdotes and feelings that, whilst effectively engaging with the audience, lacks specificity. The language used is emotive and often imagery-laden, helping to counter the rather rambling text.

Hemp is a quietly charming performer who clearly has a lot of stories to share, but this script doesn’t fully serve them. Whilst not totally baffling, it scraped the surface rather than engaging with the audience and lived experience more fully.

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Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.
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Laura Kressly on RssLaura Kressly on Twitter
Laura Kressly
Laura is a US immigrant who has lived in the UK since 2004. Originally trained as an actor with a specialism in Shakespeare, she enjoyed many pre-recession years working as a performer, director and fringe theatre producer. When the going got too tough, she took a break to work in education as a support worker, then a secondary school drama teacher. To keep up with the theatrical world, she started reviewing for Everything Theatre and Remotegoat in 2013. In 2015, Laura started teaching part time in order to get back into theatre. She is now a freelance fringe theatre producer and runs her independent blog, theplaysthethinguk.com.

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