Orchard Theatre, Dartford – until 30 December 2018
Guest reviewers: Debika and Raphael Cutts
As a forty-plus female attending this panto, I can’t deny the main draw for me was my childhood crush Marti Pellow. So I hadn’t really gone into the night with high expectations of what was to follow other than knowing I would hear some “oh no it isn’t” type of gags. I had prepared myself for familiar panto slapstick.
Wow. I had that completely wrong! The promise “Everything you could wish for in a panto” I would say underplays what we actually got. This was so much more. I hadn’t seen a Qdos production before and confess hadn’t read up about the company and am so glad I hadn’t. This was a special effects/visuals/pyrotechnics and magic spectacular and was a total surprise.
The pantomime starts surreally with villain Abanazar, former Wet Wet Wet frontman Pellow, talking to a giant moving mechanical King Kong – I’m not actually sure why… And from that moment on, I knew this was not any ordinary panto. Pellow does an excellent job of playing the villain – his acting and singing are certainly on form and his gags about Dartford and the local area (spanning even to Bromley) are appreciated by the audience. I didn’t feel he was particularly villainous, but perhaps I was seeing him through rose-coloured glasses.
The cast includes the hilarious Ricky K from Britain’s Got Talent who was my eight-year-old son’s favourite character by far and the star of the show. His energetic slapstick comedy has the audience in stitches throughout and he does a fabulous job of getting everybody involved. Panto favourite David Robbins, playing Widow Twankey, has a fabulous rapport with Ricky K and the scene where Abanazar, Wishee Washee and Widow Twankey try their tongue twisters looking for a missing shirt was my favourite of the evening. A special mention must be made of the costume designer as Widow Twankey’s wardrobe down to her knobbly knees is inspired.
I can’t fault Alexis Gerred as Aladdin but I was surprised we didn’t have a stronger character for Stephanie Elstob as Princess Jasmine. A bit more girl power would have been nice to see – though Stephanie’s acting and singing were great and complemented Aladdin. Best singer most definitely goes to Landi Oshinowo, who played the Empress of China (sorry Marti).
Full credit should go to the stage designer as the sets were amazing – from Peking to Egypt to the treasure-filled cave – and how did they do the magic carpet, we would really like to know? We felt we were being transported into the skies and many children I imagine have come away thinking it indeed was by magic.
Photo credit: Luke Varley
We were all given 3D glasses in the second half, but I hadn’t prepared for the visuals that followed. The fairly long cinematic experience had the audience screaming (they possibly need a warning for the families with very young children). From snakes to dragons to spiders to skulls… it was both spectacular and spectacularly scary! The use of new technology in this way and with the pyrotechnics and “magic” makes me interested to see where panto will go from here in the years to come. I will be back next year for sure.
Looking around, the audience, which ranged from 6 months to 80 years old, seemed to be enjoying themselves and on the way out, I didn’t see anybody who wasn’t smiling. As somebody who only really came for Marti rather than panto, I have been converted by this production. My son gave it 10/10, which says it all.
Oh, I know you are all wanting to know – did they play any Wet Wet Wet songs? I will leave you to go and find out……
Aladdin is at the Orchard Theatre until 30th December.
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