Album Review: The Route To Happiness (2014 Original Cast Recording)

In Albums, London theatre, Musicals, Opinion, Reviews by Ian FosterLeave a Comment

“Better we’d not met.”

I saw a festival presentation of Alexander S Bermange’s The Route To Happiness at the Landor back in 2013 and a year later, an original cast recording was made available through Auburn Jam, albeit with an entirely different cast. So in place of Cassidy Janson, Niall Sheehy, and Shona White, we get Kerry Ellis, Ben Forster and Louise Dearman taking on the roles of this three-hander.

The story follows the pursuit of fame, money and love and how the three intersect in the intertwined stories of Trinity, Marcus and Lorna. But where the show has maintained a fairly positive place in my memory, listening to the double-album of the score felt like a bit of a chore. Musically it is accomplished but far too similar-sounding, there’s little sense of progression to carry you through.

And lyrically, it is rather thin, although there’s plenty of witty lines peppered throughout. Ellis, Forster and Dearman all deliver committed performances but this rarely feels like a show that is craving to be put on again, in this format at least.

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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