’An inspired, interactive & family-friendly journey’: ALICE: A VIRTUAL THEME PARK – Creation Theatre (Online review)

In Online shows, Opinion, Plays, Reviews by Ian FosterLeave a Comment

There’s rarely a dearth of opportunities to visit Wonderland, Lewis Carroll’s ever-popular source material a frequent presence in theatres but with Alice – A Virtual Theme Park, there’s a very much 21st century take which works surprisingly well. And given Covid-19, it isn’t a play but rather a multi-platform, multiple choice experience.

Let the Cheshire Cat guide you through your Zoom settings and listen to Leda Douglas’ inquisitive Alice as she takes us down the rabbit hole, and the scene is then set for an inspired, interactive and family-friendly journey with these familiar characters, effectively curated by Creation Theatre.

Zoe Seaton’s adaptation, aided by guest writer Charlotte Keatley, does an excellent job of blending technical innovation with live theatre, meaning that as audiences make their own way through the various vignettes, there’s plenty of amusing surprises at every turn and click of the button.

Find yourself playing musical statues to the Macarena with the Queen of Hearts (a brilliantly malevolent Vera Chok) or dancing the Lobster Quadrille with the March Hare. Design a baby hedgehog so you can join in with hedgehog croquet and get wrapped up in the thrilling courtroom drama when those jam tarts go missing.

Much is familiar here and with the opportunity of gentle audience participation in many of the episodes, Alice… should appeal to kids of any age and that includes 41!

Alice – A Virtual Theme Park is booking online until 30 August 2020.

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Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."
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Ian Foster on FacebookIan Foster on RssIan Foster on Twitter
Ian Foster
Since 2003, Ian Foster has been writing reviews of plays, sometimes with a critical element, on his blog Ought to Be Clowns, which has been listed as one of the UK's Top Ten Theatre Blogs by Lastminute.com, Vuelio and Superbreak. He averages more than 350+ shows a year. He says: "Call me a reviewer, a critic or a blogger, and you will apparently put someone or other's nose out of joint! So take it or leave it, essentially this is my theatrical diary, recording everything I go to see at the theatre in London and beyond, and venturing a little into the worlds of music and film/TV where theatrical connections can be made."

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