What is it? I Will Still Be Whole (When You Rip Me In Half) by Ava Wong Davies, and is part of a double bill at the Bunker Theatre.
Mates blogger: Amy Toledano
Amy Toledano is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Amy's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
The latest from Amy on MyTheatreMates
Gaping Hole is an original work in which two writers/performers discuss popular plot holes and political lies.
The writing father/daughter duo Alick Glass and Suzanne Glass really captures the feeling of the period in Reputation which, despite the drama of its core story, remains a feel-good show.
What is it? Written by Danusia Samal, Out of Sorts follows a young woman as she attempts to live a double life in this moving story of culture, womanhood, privilege and family.
This very well presented version of The Merchant of Venice is excellently executed, proving to modern audiences that Shakespeare doesn’t have to be complicated in order to understand it.
Touching, heart-wrenching and totally original, Islander is the exploration of the turmoil and devastation of small communities in the light of gentrification.
Call Me Fury is a wonderfully poetic disembowelling of Arthur Miller’s The Crucible, as told by the women who were accused of “witchcraft” during the Salem witch trials of 17th century.
Lynette Linton brings together this story in a beautiful and explosive manner through her direction of Chiaroscuro.
The Wild Unfeeling World is a wonderful, warm and emotive tale that personifies how it feels to be battling depression and the truth around mental health in young people in the UK.
Fat Rascal brings its usual comedic flair to this brilliant musical parody that exposes the untold truth of Ursula The Sea Witch of The Little Mermaid fame.
Such Filthy F*cks is a two hander written by Oli Forsyth that examines strangers who have nothing in common, except their porn addiction.
Performance artist Bryony Kimmings brings her trauma to the stage through this harrowing and brilliant musical, horror film-esque one woman show.
Cherie Blair, as played by Mary Ryder, shares her memoir with the audience, recounting her time from childhood right through until the end of Tony’s time as PM in 2007.
Feeling Lonely At Parties, which is a collaborative piece presented by Pursued By A Dragon Theatre Collective makes its full debut as apart of Camden Fringe this year.
Inventive, hilarious and totally contemporary, Seven Methods of Killing Kylie Jenner is art that above all needs to be seen by everyone.
An Enemy Of The People is an adaptation of the Ibsen play of the same name, but an updated version set in a West London Borough in the shadow of Grenfell Tower.
Bush Theatre follows its trend of programming interesting and challenging work, as Rust provides an exciting 75 minutes of raw emotion.
First debuting at Maiden Speech Festival 2018, When It Happens returns to the Tristan Bates Theatre for Camden Fringe. We speak to the show’s writer Rachel Causer, who also plays Jenny in the show, and Kennedy Bloomer, the show’s director.
Koko Brown and Sapphire Joy women steer this ship in such a brilliant and raw direction that it is only natural that the audience is nodding along and audibly agreeing with them throughout Grey at Ovalhouse Theatre.
Director Julie Atherton and SR Productions bring Bare: A Pop Opera rightly into the new century.
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