My recommendation to any theatre producer and creative reading this is grab any opportunity to make these kind of trips. Open your eyes to everything that you see.
I am bemused. Last night I was at a show which has been an immense hit in its lifetime and has been described as masterful by the press.
So along with my declared New Year’s Resolution to see at least one piece of theatre in Scotland every two weeks, I will also try wherever I can to say “yes” to the unexpected.
I’ve worked on my New Year’s Resolutions and I know what I need from the universe, and where I have the capacity to welcome some unexpected enquiries or surprises
I’m a coach with years of experience of helping others to set achievable goals, so I know how to do it. Tonight I decided to ensure I saw an average of one theatre show a week across the Scottish professional scene (excluding the Edinburgh Fringe) for 2019. Easy. Just do it.
My challenge is to bring an opportunity to British playwrights who have a play which deserves to be published and licensed around the world.
This weekend I was part of an extraordinary workshop which was a first of its kind in Europe, or so I am told. A chance to work on the consciousness explorations of Patricia Albere developed in her practice and her book.
As I get older I network less. As I look out of my view across the Firth of Forth from my tiny office window, I don’t get the urge to go to the membership meetings and first nights which are out there for me to attend (and I can’t afford to).
This week I was turned down by the Arts Council for a project I have been nurturing for three years. I clearly did not manage to capture the imagination of the assessors.
Time to get the word around that I am a coach – and then the most wonderful email dropped in my inbox from a past client as they tried to describe me to another person: