Mates blogger: Edward Seckerson


Edward Seckerson is one of over 40 bloggers who are part of the MyTheatreMates collective. Take a look at our full list of bloggers. We’re always looking for new bloggers, so learn about how to join us.

Edward Seckerson
A prolific broadcaster, writer and journalist as well as a self-confessed ‘musical theatre obsessive’, Edward has interviewed everyone from Bernstein to Liza Minnelli, Paul McCartney to Pavarotti, Julie Andrews to Andrew Lloyd Webber. He wrote and presented the long-running BBC Radio 3 series Stage & Screen. He also regularly produces podcast interviews with notable theatrical artists and makes regular appearances on the BBC Radio 2 Arts Show, BBC Radio 3 and Radio 4, where he presented the 2007 series of the music quiz Counterpoint. He has published books on Gustav Mahler and the conductor Michael Tilson Thomas, is a regular critic for Gramophone Magazine and Opern Welt and a founder member of The Arts Desk. He also blogs independently at www.edwardseckerson.biz and tweets at @seckerson.
Edward Seckerson on Twitter


The latest from Edward on My Theatre Mates


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‘Great music which finds so many ways into our hearts’: Celebrating the splendour of Tchaikovsky’s three great ballets

In Audio, Classical music, Dance, Opinion, Regional theatre, Reviews, Touring by Edward SeckersonLeave a Comment

I was a little late to the party in respect of Vladimir Jurowski’s scintillating new recording of the original 1877 version of Tchaikovsky’s Swan Lake with the State Academic Symphony Orchestra of Russia (Yevgeny Svetlanov’s orchestra) but I’ve been much absorbed by it, thrilled by it.

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Paying tribute to André Previn & his ability to embrace music of spectacularly diverse genres

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

Leonard Bernstein and André Previn very different animals. But their completeness as musicians, their ability to embrace and cherish music of spectacularly diverse genres, their connection with popular culture, their many and varied gifts as conductors, composers, pianists, and impossibly eloquent commentators make them kindred spirits in so many respects.

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Gauging the significance of The Gershwins’ Porgy & Bess in the chronology of American music theatre

In Audio, Classical music, Features, Musicals, Opera, Opinion by Edward SeckersonLeave a Comment

The recent revival of The Gershwins’ Porgy & Bess at English National Opera and the prospect of comparing all its available recordings in BBC Radio 3’s Record Review has prompted me to look a little deeper into this landmark score and to reassess its significance in the chronology of American music theatre.


More from Edward

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