Mates blogger: Edward Seckerson


Edward Seckerson is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Edward's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Edward Seckerson
A prolific broadcaster, writer and journalist as well as a self-confessed ‘musical theatre obsessive’, Edward has interviewed everyone from Bernstein to Liza Minnelli, Paul McCartney to Pavarotti, Julie Andrews to Andrew Lloyd Webber. He wrote and presented the long-running BBC Radio 3 series Stage & Screen. He also regularly produces podcast interviews with notable theatrical artists and makes regular appearances on the BBC Radio 2 Arts Show, BBC Radio 3 and Radio 4, where he presented the 2007 series of the music quiz Counterpoint. He has published books on Gustav Mahler and the conductor Michael Tilson Thomas, is a regular critic for Gramophone Magazine and Opern Welt and a founder member of The Arts Desk. He also blogs independently at www.edwardseckerson.biz and tweets at @seckerson.
Edward Seckerson on Twitter


The latest from Edward on MyTheatreMates

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‘Great music which finds so many ways into our hearts’: Celebrating the splendour of Tchaikovsky’s three great ballets

In Audio, Classical music, Dance, Opinion, Regional theatre, Reviews, Touring by Edward SeckersonLeave a Comment

I was a little late to the party in respect of Vladimir Jurowski’s scintillating new recording of the original 1877 version of Tchaikovsky’s Swan Lake with the State Academic Symphony Orchestra of Russia (Yevgeny Svetlanov’s orchestra) but I’ve been much absorbed by it, thrilled by it.

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Paying tribute to André Previn & his ability to embrace music of spectacularly diverse genres

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

Leonard Bernstein and André Previn very different animals. But their completeness as musicians, their ability to embrace and cherish music of spectacularly diverse genres, their connection with popular culture, their many and varied gifts as conductors, composers, pianists, and impossibly eloquent commentators make them kindred spirits in so many respects.

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Gauging the significance of The Gershwins’ Porgy & Bess in the chronology of American music theatre

In Audio, Classical music, Features, Musicals, Opera, Opinion by Edward SeckersonLeave a Comment

The recent revival of The Gershwins’ Porgy & Bess at English National Opera and the prospect of comparing all its available recordings in BBC Radio 3’s Record Review has prompted me to look a little deeper into this landmark score and to reassess its significance in the chronology of American music theatre.

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Why it’s an amazing time for diversity of style in ‘musicals’ on both sides of the pond

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

It’s an amazing time for diversity of style in “musicals” on both sides of the pond. Hamilton’s hip-hop, street poetry, storytelling, David Yazbek’s middle-eastern infused charmer The Band’s Visit, Jeanine Tesori’s Fun Home (newly arrived at London’s Young Vic while her dazzlingly original Caroline Or Change plays at the Playhouse Theatre).

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NEWS: Comparing Notes brings musical theatre stars to Holborn Pizza Express this autumn

In London theatre, Musicals, News by Edward SeckersonLeave a Comment

Comparing Notes brings stars of the West End and Broadway to Pizza Express Live Holborn. In a lively and informal mix of performance and conversation host Edward Seckerson will be getting up close and personal with these musical theatre luminaries, exploring the stories behind the songs and the personalities behind the artistry.

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Facing the Music: A Conversation with Patricia Routledge

In Features, Musicals, Opinion by Edward SeckersonLeave a Comment

Patricia Routledge trained not only as an actress but also as a singer and had considerable experience and success in musical theatre, both in this country and in the United States of America. Her many awards include a Tony for her Broadway performance in the Styne-Harburg musical Darling of the Day and a Laurence Olivier Award for her performance in Leonard Bernstein’s Candide.


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