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Gauging the significance of The Gershwins’ Porgy & Bess in the chronology of American music theatre

In Audio, Classical music, Features, Musicals, Opera, Opinion by Edward SeckersonLeave a Comment

The recent revival of The Gershwins’ Porgy & Bess at English National Opera and the prospect of comparing all its available recordings in BBC Radio 3’s Record Review has prompted me to look a little deeper into this landmark score and to reassess its significance in the chronology of American music theatre.

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Why it’s an amazing time for diversity of style in ‘musicals’ on both sides of the pond

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

It’s an amazing time for diversity of style in “musicals” on both sides of the pond. Hamilton’s hip-hop, street poetry, storytelling, David Yazbek’s middle-eastern infused charmer The Band’s Visit, Jeanine Tesori’s Fun Home (newly arrived at London’s Young Vic while her dazzlingly original Caroline Or Change plays at the Playhouse Theatre).