Mates blogger: Edward Seckerson


Edward Seckerson is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features recent posts from Edward's own website. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Edward Seckerson
A prolific broadcaster, writer and journalist as well as a self-confessed ‘musical theatre obsessive’, Edward has interviewed everyone from Bernstein to Liza Minnelli, Paul McCartney to Pavarotti, Julie Andrews to Andrew Lloyd Webber. He wrote and presented the long-running BBC Radio 3 series Stage & Screen. He also regularly produces podcast interviews with notable theatrical artists and makes regular appearances on the BBC Radio 2 Arts Show, BBC Radio 3 and Radio 4, where he presented the 2007 series of the music quiz Counterpoint. He has published books on Gustav Mahler and the conductor Michael Tilson Thomas, is a regular critic for Gramophone Magazine and Opern Welt and a founder member of The Arts Desk. He also blogs independently at www.edwardseckerson.biz and tweets at @seckerson.
Edward Seckerson on Twitter


The latest from Edward's site


GRAMOPHONE Review: Mahler Symphony No. 8 – Soloists, Choirs, Düsseldorf Symphony Orchestra/Fischer 1st January 2020
GRAMOPHONE Review: Shostakovich Symphony No. 4 – London Symphony Orchestra/Noseda 1st January 2020
GRAMOPHONE Review: Shostakovich Symphony No. 7 ‘Leningrad’- Bavarian RSO/Jansons 1st January 2020
GRAMOPHONE Review: ‘Wien’ – Jonas Kaufmann, Rachel Willis-Sørenson, Vienna Philharmonic/Fischer 1st January 2020
GRAMOPHONE: From Where I Sit – December 2019 1st January 2020
GRAMOPHONE: From Where I Sit – November 2019 4th December 2019
GRAMOPHONE: From Where I Sit – Awards Issue 2019 8th November 2019
GRAMOPHONE Review: Heggie ‘Woman: the making of…’ – Lillian Farahani/Maurice Lammerts van Bueren 8th November 2019
GRAMOPHONE Review: Duruflé Requiem / Debussy Nocturnes – Kožená, Berlin Radio Choir, Deutsches Symphonie-Orchester Berlin/Ticciati 8th November 2019
GRAMOPHONE Review: Beethoven Symphony No. 3 / Strauss Metamorphosen – Sinfonia Grange au Lac/Salonen 8th November 2019
GRAMOPHONE: From Where I Sit – October 2019 17th October 2019
GRAMOPHONE Review: Tchaikovsky: ‘The Tchaikovsky Project’ Complete Symphonies & Piano Concertos – Gerstein, Czech Philharmonic/Bychkov 17th October 2019
GRAMOPHONE Review: Copland: Quiet City / Dvořák: Symphony No. 9 ‘From The New World’ / Ives: ‘Holidays’ Symphony – Solistes Européens Luxembourg/König 17th October 2019
GRAMOPHONE: From Where I Sit – September 2019 12th September 2019
GRAMOPHONE Review: Mahler Symphony No. 9 – Bamberg Symphony Orchestra/Blomstedt 12th September 2019
GRAMOPHONE Review: Mahler Symphony No. 4 – Sofia Fomina, London Philharmonic Orchestra/Jurowski 12th September 2019
GRAMOPHONE Review: Barber Vanessa (BluRay/DVD) – Glyndebourne Festival Opera, London Philharmonic Orchestra/Hrůša 14th August 2019
GRAMOPHONE Review: An American Song Album – Melody Moore/Bradley Moore 14th August 2019
GRAMOPHONE: From Where I Sit – August 2019 14th August 2019
GRAMOPHONE Review: ‘Sol y Vida’ – Elīna Garanča, Gran Canaria Philharmonic Orchestra/Chichon 17th July 2019
GRAMOPHONE: From Where I Sit – July 2019 17th July 2019
GRAMOPHONE: From Where I Sit – June 2019 14th June 2019
GRAMOPHONE Review: Sondheim Company – 2018 London Cast / Follies 2018 NT Cast 14th June 2019
Edward Seckerson talks to Renee Fleming about The Light in the Piazza 13th June 2019
GRAMOPHONE: From Where I Sit – May 2019 22nd May 2019
GRAMOPHONE: André Previn – A Tribute 24th April 2019
GRAMOPHONE: From Where I Sit – April 2019 24th April 2019
GRAMOPHONE Review: Mahler Symphony No. 7 – Budapest Festival Orchestra/Fischer 24th April 2019

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