Mates blogger: Edward Seckerson


Edward Seckerson is one of over 45 theatre bloggers who are part of the MyTheatreMates collective. This page features Edward's posts on MyTheatreMates. Take a look at our full list of theatre bloggers and our aggregated feed of all our Mates' posts. We’re always looking for new theatre bloggers. Could that be you? Learn about how to join us.
Edward Seckerson
A prolific broadcaster, writer and journalist as well as a self-confessed ‘musical theatre obsessive’, Edward has interviewed everyone from Bernstein to Liza Minnelli, Paul McCartney to Pavarotti, Julie Andrews to Andrew Lloyd Webber. He wrote and presented the long-running BBC Radio 3 series Stage & Screen. He also regularly produces podcast interviews with notable theatrical artists and makes regular appearances on the BBC Radio 2 Arts Show, BBC Radio 3 and Radio 4, where he presented the 2007 series of the music quiz Counterpoint. He has published books on Gustav Mahler and the conductor Michael Tilson Thomas, is a regular critic for Gramophone Magazine and Opern Welt and a founder member of The Arts Desk. He also blogs independently at www.edwardseckerson.biz and tweets at @seckerson.
Edward Seckerson on Twitter


The latest from Edward on MyTheatreMates

View Post

MEASURE FOR MEASURE – Young Vic

In London theatre, Opinion, Plays, Reviews by Edward SeckersonLeave a Comment

Shakespeare’s strangest and nastiest play is a kind of black farce where the reckless dash to redemption makes the redemption itself – forgiveness, reconciliation, all is sort of forgiven – seem like an afterthought. Joe Hill-Gibbins is having none of it and dives into the play’s intractable vision of a city, a culture, a world, caught in a spiral of skewed morality with almost indecent relish. It’s all noise and garage music and a tangle of exhausted blow-up sex dolls. And it moves so fast (1 hour 50, no interval) that the lines between sin and retribution and perpetually blurred.

London Philharmonic Orchestra, Jurowski, Royal Festival Hall

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

Mahler’s supersonic Seventh – a grand experiment in sensory colouration if ever there was one – needs no special pleading: it is what it is, a one-off, an oddity, a new departure of no fixed destination. But how different and how much more subtle and individual it sounds through the ears and fine sensibilities of … [Read More]

London Philharmonic Orchestra, Jurowski, Royal Festival Hall

In Audio, Classical music, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

Mahler’s supersonic Seventh – a grand experiment in sensory colouration if ever there was one – needs no special pleading: it is what it is, a one-off, an oddity, a new departure of no fixed destination. But how different and how much more subtle and individual it sounds through the ears and fine sensibilities of … [Read More]

View Post

KINKY BOOTS – West End

In Audio, Features, London theatre, Musicals, Opera, Opinion, Reviews by Edward SeckersonLeave a Comment

If the shoe fits, they say, wear it. But in truth there’s always been a bit of a size differential between Kinky Boots, the modest urban Brit-flick, and the Cyndi Lauper/ Harvey Fierstein musical that it spawned. Lauper’s score resides principally in the funk and spunk of cross-dressing catwalk glamour while the somewhat dowdy spirit of Northamptonshire – the vernacular of the piece – is barely hinted at in the “Price and Son Theme” of the opening number.


More from Edward

See the latest posts from Edward's own website

Click here